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Wednesday, March 19, 2014

THURSDAY, MARCH 20, 2014

QUOTE:
"Music isn't just learning notes and playing them,
  you learn notes to play to the music of your soul."
AUTHOR: Katie Greenwood
MEANING OF THE QUOTE:
"There is no music in notes alone. It is the human,
  emotional element that makes notes into music."













COMPOSER
ROSSINI
Claudio Abbado, Conductor
London Symphony Orchestra, 1972
Barber of Seville Overture - theme 1
Barber of Seville Overture - theme 2
Barber of Seville Overture - theme 3
http://2esomusicogramas.blogspot.com/2012/02/el-barbero-de-sevilla-gioachino-rossini.html
THE STORY OF
THE BARBER OF SEVILLE
TOLD IN CARTOON FORMAT
http://comicsuk.co.uk/forum/viewtopic.php?f=127&t=5268&start=30
COUNT ALMAVIVA:
Young Spanish Nobleman
Smitten with Rosina
Disguised as Lindero and Others
(tenor)
 
DOCTOR BARTOLO:
Doctor of Medicine
Guardian of Rosina
Rosina's Would-Be Suitor
(bass)
 
ROSINA:
Young,Wealthy Woman from Seville
Ward of Doctor Bartolo
Has a Sizable Dowry
Smitten with Lindero
(mezzo-soprano)
 
FIGARO:
Local Barber
Keeper of All the Town's Secrets
Former Servant to Count Almaviva
(baritone)
DON BASILIO:
Rosina's Music Teacher
Takes Bribes to Pass Along Secrets
Doctor Bartolo's Accomplice
A Hypocrite
(bass)
BERTA:
Housekeeper to Doctor Bartolo
Rosina's Confidant
(soprano)
 
FIORELLO:
Servant of Count Almaviva
(baritone)
AMBROSIO:
Servant to Bartolo
(bass)
AN OFFICER:
(bass)
A NOTARY:
(silent role)
CHORUS:
musicians
soldiers
Main Characters from Left to Right:
Count Almaviva, Rosina, Figaro, Don Basilio, and Bartolo
http://www.discmuseum.com/FMPro?-DB=discmuseum.fp5&-Format=audiosynopsis
10_barbier.htm&AudioSynopsis=BarbierGalliera&-Token=38466&-Find
MEET FIGARO
From: Dr. Opera
Presented by Lyric Opera and The Second City
Session 3: The Barber of Seville
Precaution (Il barbiere di Siviglia,
ossia L'inutile precauzione) is an
opera buffa in two acts by
Gioachino Rossini
Rossini
with a libretto by
Cesare Sterbini.
Cesare Sterbini
Sterbini
The libretto was based on
Pierre Beaumarchais's
Jean-Marc Nattier: Pierre Beaumarchais, 1755
comedy Le Barbier de Séville (1775),
which was originally an opéra comique,
or a mixture of spoken play with music.
Bandalarga all'Opera: "Il barbiere di Siviglia"
THE BARBER OF SEVILLE
OPERA
Complete
Conductor: Martin Mazik
Director: Herbert Kellner
OPERA PLOT OUTLINE
BY ACTS
Beaumarchais
and THE BARBER of SEVILLE
http://www.mccarter.org/figaroplays
/3-explore/historictimeline.html
Born in 1732, Pierre-Augustin Beaumarchais
was, like his character Figaro, a person who
enjoyed many different professions during
his life. He was a watchmaker, an instructor
of harp, a judge, a diplomat and even, at one

point, a spy. He was also a man of contradiction,

having at one time purchased a noble title but

at another time aligning himself with rebels

involved in both the American and French

revolutions and furnishing arms to them.

Above all, however, he was a writer for

the stage, his first theatrical efforts being

produced when he was 25 years old.

The Barber of Seville (Le barbier de Séville) was
the first in a cycle of three plays, all featuring
the same characters whom we watch grow
older and deal with different situations in their
lives. These characters are Count Almaviva,
Gioacchino Rossini, <i> The Barber of Seville </ i>: Count Almaviva
http://www.larousse.fr/encyclopedie/
images/Gioacchino_Rossini_le_Barbier_de
_S%C3%A9ville__le_comte_Almaviva/1312435
the lovely Rosina
http://www.magnoliabox.com/tag/beaumarchais
who is the object of his
affections, and his
servant Figaro.
Figaro
In the first play Almaviva
outwits the old
Doctor Bartolo
Bartolo <i> The Barber of Seville </ i>
http://www.larousse.fr/encyclopedie/images/Bartholo
_dans_le_Barbier_de_S%C3%A9ville/1008500
in order to marry the
doctor's ward,
Rosina,
Gioacchino Rossini, <i> The Barber of Seville </ i> Rosine
http://www.larousse.fr/encyclopedie/
images/Gioacchino
_Rossini_le_Barbier_de_S%C3%
A9ville__Rosine/1312438
all the while helped by
the machinations
of his barber Figaro.
Colnect-143-826-French-theater-Beaumarchais---Figaro.jpg
http://www.stampdata.com/stamp.php?id=44479
In the second play,
they’re a few years older.
It is now the servant Figaro
Figaro, valet to Count Almaviva,
 from 'The Marriage of Figaro
who outwits his aristocratic master.
Figaro has to protect his
new young bride Susanna
Mademoiselle Contat (1760-1813) in the Role of Suzanne in 'The Marriage of Figaro' (w/c on paper) Wall Art &amp; Canvas Prints by French School
Suzanne in "The Marriage of Figaro"
from the Count who desires her.
At the same time he tries to preserve
the Count’s marriage to Rosina,
who is now, of course,
the Countess Almaviva.
Rosina,
Countess Almaviva
The third play, rarely revived these days, is
called The Guilty Mother (La mere coupable).

It takes place twenty years after the previous play,
and involves the illegitimate children of the Count
and Countess, the potential loss of their fortune
and, again, the last minute redemption of his
employers by Figaro’s wit and wisdom. (French
based on this last play in the trilogy, premiered
in Geneva in 1966).
http://pixgood.com/the-barber-of-seville-title.html
THE STORY OF
THE BARBER OF SEVILLE
Taking place in Seville, Spain
Map of Seville, Spain
http://www.laopera.org/tickets/Barber-of-Seville-Family/
during the 17th Century,
the plot involves a Spanish
count (Almaviva),
who has fallen in love at first
sight with a girl called
Rosina.
To ensure that she really loves
him and not just his money, the
Count disguises himself
as a poor college student
named Lindor,
and attempts to woo her.
His plans are foiled by Rosina's
guardian, Doctor Bartholo,
who keeps her locked up
in his house and intends to
marry her himself.
Bartolo and Rosina
The Count's luck changes,
however, after a chance reunion
with an ex-servant of his,
Figaro,
who is currently working as
a barber and therefore has access
to the Doctor's home.
Set Design of Doctor Bartolo's House
After being promised money, and
afraid the Count will seek revenge on
him if he refuses, Figaro devises
a variety of ways for the Count
and Rosina to meet and talk,
first as Lindor, then as Alonzo,
a fellow student of the same
music master, Don Basilio.

        Don Basilio
The story culminates in the marriage
of the Count and Rosina.
With Violin Sheet Music
Alfred Scholz, Conductor
Philharmonia Slavonica
events Marche
http://www.laprimaweb.it/2009/12/10/il-barbiere-di-siviglia-fermo-11-e-13-dicembre-2009/
THE BARBER OF SEVILLE
OVERTURE
Acapella Format
The King's Singers
WOODY WOODPECKER
http://arts.umich.edu/ink/author/sarah-ogar/page/2/
THE RABBIT OF SEVILLE:
BUGS BUNNY
http://www.icollector.com/Bugs-Bunny-as-Barber
-of-Seville-original-Virgil-Ross-drawing_i10498753
http://www.thelittlechimpsociety.com/2012/12/kevin
-hauff-radio-times-christmas-edition-barber-of-seville/
TOM AND JERRY
THE CAT ABOVE AND
THE MOUSE BELOW
http://www.lamedusa.it/lista_libri.php?_cat=4
THE BARBER OF SEVILLE
FOR CHILDREN:
Opera Vox
(BBC 1994)
Gareth Jones, Conductor
Chorus and Orchestra Welsh National Opera
File:John Palmer as Count Almaviva in 'The Spanish Barber by Henry Walton.jpg
Henry Walton: John Palmer as Count Almaviva
in "The Spanish Barber"
LINKS
LESSON PLANS
http://www.lyricopera.org/uploadedFiles/Education/Children_and_Teens
/2013-14%20OIN%20Backstage%20Pass%20-%20teacher%20edition.pdf
http://www.delawaresymphony.org/guides/Barber%20of%20Seville%20Overture.pdf
http://sfopera.com/Learn/Teacher-Resources/Classroom-Materials/Barber.aspx
http://sfopera.com/SanFranciscoOpera/media/SiteAssets/Guild/Barber2013.pdf
https://rosieglowwellness.files.wordpress.com/2013/11/2010-11-barber-script-readers-theater.pdf
http://www.manitobaopera.mb.ca/learn/documents/TheBarberofSevilleStudyGuideNov.6.pdf
http://www.portfoliodesignproject.org/perez-y3-g5-end
http://www.oldopera.swissdesigngroup.com/media/
Tab-Learn/Study_Guides/SG_Barber_of_Seville.pdf
BARBER OF SEVILLE
READER'S THEATER SCRIPT
LYRIC OPERA OF CHICAGO
https://rosieglowwellness.files.wordpress.com/2013/11/
2010-11-barber-script-readers-theater.pdf

LINKS
MUSIC and LIBRETTO
http://conquest.imslp.info/files/imglnks/usimg/e/e0/IMSLP
114152-PMLP232996-Blumenthal-BarberofSeville-sc.pdf
http://imslp.org/wiki/Il_barbiere_di_Siviglia_%28Rossini,_Gioacchino%29#Full_Score
http://www.opera-guide.ch/opera.php?uilang=de&id=318#libretto
http://www.sdopera.com/Operapaedia/TheBarberofSeville
http://www.dlib.indiana.edu/variations/scores/bhr1214/large/index.html
http://www.dlib.indiana.edu/variations/scores/cag4600/large/index.html
http://archive.org/stream/cu31924090833181#page/n0/mode/2up
https://archive.org/details/RossiniBarberOfSeville-Overture
https://archive.org/details/storiesfromopera03daviuoft
http://opera.stanford.edu/iu/libretti/barbiere.html
http://www.emmedici.com/hobbies/musica/rossini/libretti/barbiere1.htm
http://www.emmedici.com/hobbies/musica/rossini/libretti/barbiere2.htm
http://makingmusicfun.net/pdf/sheet_music/barber-of-seville-piano.pdf
http://oll.libertyfund.org/titles/1562
http://razorland55.free.fr/razorama_paper/barbier_seville.jpg
http://slideplayer.fr/slide/1296660/

LINKS
http://www.npr.org/templates/story/story.php?storyId=12451040
http://www.wisegeek.com/what-is-the-barber-of-seville.htm
http://lyricoperamedia.s3.amazonaws.com/_img/Web/
13-14/The-Barber-of-Seville/Rossinis_Biggest_hit.pdf
http://lyricoperamedia.s3.amazonaws.com/_pdf/13-14/BarberPlotSynopsis.pdf
http://www.laopera.org/DocumentsLAO/education/lessons/
The%20Barber%20of%20Seville%20Resource%20Page.pdf
http://www.opera-guide.ch/opera.php?uilang=de&id=318#libretto
http://www.sdopera.com/Operapaedia/TheBarberofSeville
http://sfopera.com/SanFranciscoOpera/media/Education-
Resource-Materials/Barber/The-Barber-of-Seville-Websites.pdf
http://operalively.com/forums/content.php/846-OTF-Il-barbiere-di-Siviglia
http://www.metopera.org/metopera/season/synopsis/barbiere?customid=6
http://www.metopera.org/metopera/history/stories/synopsis.aspx?customid=710
http://holiday.metoperafamily.org/barber/about.php
http://en.wikipedia.org/wiki/The_Barber_of_Seville
http://www.musicwithease.com/rossini-barber-seville.html
http://www.taormina.it/aug-8-11-14-barber-seville.html
http://www.songfacts.com/detail.php?id=18315
http://froggyeve.tripod.com/WVBO4KTeachersGuidepage3.pdf
http://froggyeve.tripod.com/largo.html
http://michelinewalker.com/tag/la-mere-coupable/
http://classicalmusic.about.com/od/Opera-
Synopses/qt/Barber-Of-Seville-Synopsis.htm
GRANADA ADV. STRINGS
1.  SHIFTING SCALES WITHIN A SCALE 
ON EACH STRING up and down
a.  FINGERING: 123-1234-4
2.  21 GUNS

INTRO. TO INSTRUMENTS
GRANADA
1. VIOLIN HISTORY: DEMONSTRATION OF INSTRUMENTS
HILLVIEW
1. THEORY: STEP/SKIP
a.  Worksheets done together in class up to page 8
2. KEYBOARD: ODE TO JOY (by numbers)
a.  Demonstration on how to use 2 hands at same time (not just alternating hands) creating chords
b.  Synchronization of both at the same time

GRANADA BEG. STRINGS
1.  SCALES: A, E, B Major
a.  New Pattern: 1 2 34
b.  Separate Bows UH/LH
2.  CIELITO LINDO
3.  CHARIOTS OF FIRE

HILLVIEW ORCHESTRA
1.  ROCKY TOP
2.  BOULEVARD OF BROKEN DREAMS
3. IMAGINE
(PREPARATION FOR FOUNDER'S DAY CONCERT TONIGHT)