Showing posts with label DECEMBER 2014. Show all posts
Showing posts with label DECEMBER 2014. Show all posts

Wednesday, December 31, 2014

WEDNESDAY, DECEMBER 31, 2014

QUOTE:
“Do not take up music unless you 
  would rather die than not do so.”
AUTHOR: Nadia Boulanger
MEANING OF THE QUOTE:
“A true musician must be willing to
  give up everything for his art"














COMPOSER
DEBUSSY


L 'Isle Joyeuse
Performed by Walter Gieseking
(impressionistic art)
l'Isle Joyeuse (the Joyfull Island) is
Debussy's longest piano piece. It
contains a number of sequences with
changing atmospheres, evoking the natural
elements (the sun, the sea, the wind...), in a
typically impressionistic approach. The piece
was partly inspired by Watteau’s painting
L’Embarquement de Cythère,
Antoine Watteau: L'Embarquement pour Cythere
in which a happy group of revellers depart for/
from the mythical island of Cythera in the
Mediterranean, birthplace of Venus, the
goddess of love. The island (which uses the
English spelling ‘isle’implicated in the title)
also is a reference to the Channel Island of
Jersey where in 1904 Debussy escaped to its
"joyfull" atmosphere with Emma Bardac, who
became his second wife.

Thursday, December 11, 2014

THURSDAY, DECEMBER 11, 2014

QUOTE:
"My masters are strange folk with
 very little care for music in them."

AUTHOR: Johann Sebastian Bach
MEANING OF THE QUOTE:
"Music is used for some people as a symbol
 of status or a way to be popular and for the
 has little to do with the art itself."





COMPOSER
DEBUSSY

E. A. Hornel: Reverie
REVERIE
Aldo Ciccolini, Piano
Maxfield Parrish: Reveries
Reverie:
A state of being pleasantly lost in one's thoughts; a daydream:
"I slipped into reverie." This term, used in an instrumental piece,
 suggests a dreamy or musing state.
REVERIE
Rendition for 2 Guitars
Julian Bream and John Williams
Edmund Tarbell: Reverie, 1913
REVERIE
Rendition for Flute and Harp
James Galway, Flute
Marisa Robles, Harp
Jane Morris photo
Dante Gabriel Rossetti: Reverie
REVERIE
Orchestral Rendition
Arthur Fiedler, Conductor
Boston Pops Orchestra
Winslow Homer: Reverie, 1872
REVERIE
Kathryn Stott, Piano
John William Godward: Reverie, 1888
REVERIE
Amsterdam Wind Quintet

Mary Cassatt: Reverie (aka Woman with a Red Zinnia), 1892
Pierre-Auguste Renoir: Portrait of Jeanne Samary (La Reverie), 1877
Gustave Courbet: Reverie Portrait of Gabrielle Borreau, 1862
Marc Chagall: Reverie

Wednesday, December 10, 2014

WEDNESDAY, DECEMBER 10, 2014

QUOTE:
“Talent is only the starting point.”
AUTHOR: Irving Berlin
MEANING OF THE QUOTE:
"Talent means nothing without a good
  work ethic and a good attitude.”








COMPOSER
DEBUSSY


For Solo flute
La Flute by Berthon
Emmanuel Pahud, Flute

Jean-Pierre Rampal, Flute
Marc Chagal: Syrinx Fable
Sarah Bassingwaithe, Flute


Originally called Flûte de Pan, "Syrinx"

was intended to provide atmospheric

background music to an uncompleted
play, Psyche, by Gabriel Mourey.



Syrinx into a Reed or Pane e Siringa, Book I,
Illustration from Ovid's Metamorphoses, Florence, 1832

In Greek mythology the Syrinx was an Arcadian nymph,

who, being pursued by Pan, fled into the river Ladon,

and at her own request was metamorphosed into a
reed in order to hide from Pan. Unable to locate her
Pan was only able to get his hands on the reeds.
Noticing the plaintive notes produced by these
through his sighs of desperation Pan cut the reeds
down, using nine pieces to fashion himself a pipe
to play, creating the instrument, he named the
Syrinx, after her.
Pan and Syrinx
By Lewis Gidley
John Martineau:
The Arcadian Nymph Syrinx
The nymph Syrinx ran
From Goat-footed Pan,
pan
Who sought the coy beauty to gain;
Through grove, over lawn,
Like a startled fawn,
In the haunts of the shepherd swain.
Arnold Böcklin:
Syrinx fleeing from the onslaught of Pan
Her long yellow hair,
From her forehead flair;
Stream’d back, as she hasten’d her flight,
Like a cloud that flies
Through the wind-swept skies,
or a swift comet’s trail of light.
Large heat-drops bedew’d
Her brow, when the flood
Of Ladon she reach’d,
Ladon River
Which arrested,
With its silver sheet,
Her uncertain feet
Whose, speed so rudely been tested.
Naiads (Naeids)
On each Naiad sister
She call’d, to assist her,
Thus asking them succor to give her;
Noel Nicolas Coypel: Pan and Syrinx,1690
“O grant me escape,
By changing my shape,
Ye Nymphs of the fountain and river!”
They heard, and the prize
Was snatch’d from the eyes
Of Pan, at the end of the race;
Edmund Dulac
For, greatly dismay’d,
He seized not the maid,
But only some reeds in her place.
http://www.heritage-history.com/index.php?c=read&
author=langjean&book=myths&story=_front
“Ah, cheat!” then he cried;
But the reeds replied,
With murmurs, reproving his error;
And still as they trembled,
Their shaking resembled
The shuddering emotion of terror.
Walter Crane: Pan and Syrinx
But some consolation,
To soothe his vexation,
Pan found in a pipe which he made
Of the reeds, to blow
On whose wax-join’d row,
Was his solace in grot and glade.
Bocklin, Arnold: Pan in the Reeds
English Poet John Keats
(1795-1821)

Tells the story of Pan and Syrinx
So did he feel who pulled the bough aside,
That we might look into a forest wide,


Telling us how fair trembling Syrinx fled
Arcadian Pan, with such a fearful dread.

Poor nymph- poor Pan- how he did weep to find
Nought but a lovely sighing of the wind.


Along the reedy stream; a half-heard strain,
Full of sweet desolation, balmy pain.


Arnold Bocklin
Arnold Bocklin
PAN
Maxfield Parrish - The Errant Pan
Maxfield Parrish: The Errant Pan

The nymph (also meaning girl) is a nature spirit,
immortal or at least with a long life who, as a
prophetess or a holder of knowledge, acts as a
mediator between the Gods and man. Often
she is portrayed as a beautiful and attractive
young woman tied to a natural phenomenon
[mostly linked to pleasant and benevolent
aspects of nature (apart from a few
exceptions)] or a particular place,
perhaps a countryside,
but not always.

Wood nymph with iris
Gaston Bussière: Nymph with Iris, 1911
Wood nymph
Robert Poetzelberger: 
Wood Nymph, 1886
Sophie Anderson: The Head of a Nymph 
READ THE STORY HERE
Heritage History
http://www.heritage-history.com/index.php?c=read&
author=langjean&book=myths&story=syrinx
Syrinx:
The story of Syrinx, the reed,
as Ovid has told it.

Tuesday, December 9, 2014

TUESDAY, DECEMBER 9, 2014

QUOTE:
"This will be our reply to violence: to make music more
  intensely, more beautifully, more devotedly than ever before."

AUTHOR: Leonard Bernstein
MEANING OF THE QUOTE:
"When you are angry its not the answer. Get
  your emotions out with your music instead."






COMPOSER
DEBUSSY

debussy, arabesques, piano, analysis, curve
Ceramic bezel decorated Iznik (1570-1575)
This ornament, graphic or embossed, is present in all the visual arts.
 Its ornamental character comes from the effects of symmetries or sets
 of curves that evoke plant forms often intertwined. These patterns are
 sometimes composed of fanciful figures or stylization of the real world.

ARABESQUE NO. 1 in E MAJOR


ARABESQUE NO. 1 in E MAJOR
from Deux Arabesques, L. 66
Andantino con moto
Aldo Ciccolini, Piano



ARABESQUE NO. 1 in E MAJOR
from Deux Arabesques, L. 66
Andantino con moto
Debussy, Arabesque No. 1 motif, ‘3-against-2’ RH-LH rhythm
http://chambermusictoday.blogspot.com/2008/09/more-encores-debussys-arabesque-no-1-in.html
Accompanied by an Animated Score
ARABESQUE No. 1 in E MAJOR
from Deux Arabesques, L. 66
Andantino con moto
(Arranged for Flute and Harp)


ARABESQUE NO. 1
(Used as the Background to this Song)
Like the Sea
Alicia Keys


Depending on the context, the term arabesque
has several different meanings. Originally, it
described a style of Arab art and architecture
consisting of intricate designs of geometric
floral, and foliage patterns.


Arabesque
In Art and Design

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Escher Circle Limit III
Stained Glass Kaleidoscope by fence-postStained Glass Kaleidoscope by fence-postStained Glass Kaleidoscope by fence-postStained Glass Kaleidoscope by fence-postStained Glass Kaleidoscope by fence-postStained Glass Kaleidoscope by fence-post

Similarly, as it applies to classical music,
arabesque is a style of music that is ornately
 decorative. Most arabesques were composed
 in the late 19th and early 20th centuries.

LINKS

A connection can also be made
between arabesques and fractals.

GIMP Kaleidoscope Script Combo by fence-postGIMP Kaleidoscope Script Combo by fence-postGIMP Kaleidoscope Script Combo by fence-postGIMP Kaleidoscope Script Combo by fence-post
GIMP Kaleidoscope Script Combo by fence-postGIMP Kaleidoscope Script Combo by fence-postGIMP Kaleidoscope Script Combo by fence-postGIMP Kaleidoscope Script Combo by fence-post

There are many ways to create arabesques.
Some of them discussed have been through
 music, art and design, dance, and
mathematical fractals.
Arabesque_pattern