Showing posts with label violin tone production. Show all posts
Showing posts with label violin tone production. Show all posts

Friday, September 21, 2012

FRIDAY, SEPTEMBER 21, 2012

QUOTE:
“Music, in performance, is a type of sculpture. The air in the performance is sculpted into something.”
AUTHOR: Frank Zappa
MEANING OF THE QUOTE:
"The vibrations that emanate from music create a sound from air 
  as an artist creates a sculpture from a rock."



COMPOSER
CHOPIN


Nocturne Op. 27, No. 2
D Flat Major
Played by Dinu Lipatti 
http://www.youtube.com/watch?v=e0VhKERbhkE&feature=fvst



GENERAL MUSIC
01.  WORKSHEETS GATHERED and COLLECTED TO BE GRADED
........a.  BODY LANGUAGE/SILENCE
........b.  MUSICAL ALPHABET GRAPHS
........c.  MUSICAL ALPHABET WORD LIST
........d.  PERCUSSION FILM NOTES
........e.  PERCUSSION: NAME THE INSTRUMENTS 
........f.   SIGNED RULE SHEETS (AS NEEDED)
02.  KEYBOARD WORKSHEETS
........a.  HOW TO DRAW A KEYBOARD
03.   WHAT IS  MUSICAL DISCUSSION and WORKSHEET
........a.  REVIEWED FIRST 7 QUESTIONS
........b.  TO COMPLETE NEXT WEEK

ADV. STRINGS
01.  NO HOLLY FOR MISS QUINN
........a.  REVIEWED FINGERINGS
........b.  PLAYED WITHOUT TEACHER TRACKING HELP
........c.  BASS PART ADDED IN
02.  GESU BAMBINO
........a.  REVIEWED FINGERINGS
........b.  PRACTICED CONTINUITY
NEXT WEEK TO CLEAN-UP DETAILS IN CERTAIN SECTIONS

BEG. STRINGS
01.  MARKING BOWS WITH TAPE FOR EACH STUDENT AT THE MIDDLE (SQUARE) and TIP (TRAPEZOID)
        COMPLETED
........a.  BOW STICK PLACED ON VIOLIN WITH FULL HAIR ON THE STRING and STICK AWAY FROM                      THE NOSE
.............1)  ARROWS MARKED ON EACH PLAYERS  MIDDLE BOW TAPE TO SHOW THE DIRECTION THE  
                   BOW NEEDS TO BE PLACED
02.  BOW ON VIOLIN (REVIEWED)
........a.  BOW PLACED AT MIDDLE (SQUARE) IN BETWEEN BRIDGE and FINGERBOARD 
             (FULL HAIR; STICK AWAY FROM THE NOSE)
.........b.  BOW LEVELS
..............1)  AT EACH LEVEL (STARTING ON "G" STRING) SILENTLY "SPRING" THE BOW 4X
..............2)  BOW ROCKING ON EACH STRING (SEE-SAW MOVEMENT)
....................a.  KEEP BOW DEPRESSED ONTO THE STRING TO KEEP BOW FROM WIGGLING
..........c.  DOWN and UP BOW FULL MOVEMENTS AT THE UPPER HALF (UH) OF THE BOW 4X TO 8X                          EACH STRING
...............1)  MOVE THE BOW FROM MIDDLE TO TIP IN ONE CONTINUOUS MOTION
...............2)  START EACH SOUND (DOWN and UP) WITH A SPRING-ARTICULATION SOUND
...............3)  BOW and ARM MOVE TO EACH BOW LEVEL THEN THE ARM FREEZES AND ELBOW MOVES 
                     THE UP and DOWN (ELBOW MUSCLE IS PRIMARILY USED WHEN MOVING THE UH OF THE
                     BOW)
..........d.  BOW LEADING (CONCERT MASTER or CONCERT MISTRESS)
................1)  BOW MOVEMENTS FOR ALL PLAYERS IN EACH STRING SECTION ALWAYS MUST MOVE                          IN THE SAME DIRECTION AND ALSO  USING THE SAME AMOUNT OF BOW 
.......................a)  THE BOW MUST BE PLAYED AT THE SAME PLACE AS WELL
................2)   EACH STRING SECTION HAS A LEADER FOR ALL THE OTHERS TO FOLLOW
................3)   STUDENT IN CLASS IS CHOSEN TO BE THE BOW LEADER and THE PREVIOUS EXERCISE IS 
                       REVIEWED AGAIN WITH STUDENTS MAKING SURE TO WATCH THE LEADER'S BOW
..........e  BOW ARTICULATION  (CLICK-TYPE SOUND) DISCUSSED and DEMONSTRATED
................1)  ARTICULATION SOUND IS PRODUCED BY THE BOW INITIALLY BEING PUSHED DOWN                                ONTO   THE STRING TO SET-IT INTO VIBRATION 
................2)  "CLICK SOUND" IS LIKE A MINUTE SCRATCH  or POP ONTO THE STRING
......................a)  THE AMOUNT and LENGTH OF PRESSURE APPLIED IS DETERMINED BY THE SOUND   
                            WISHED  TO BE PRODUCED (DIFFERENT ACOUSTICAL VENUES WILL HELP                                                     DETERMINE THIS)
................3)   LISTENING FOR THE ARTICULATION
.......................a)  STUDENTS TO LISTEN TO 4 BOWED OPEN STRING SOUNDS; THREE SOUNDS WITH                                       GOOD ARTICULATION AND ONE WITHOUT and DETERMINE WHICH SOUND WAS NOT                                 CORRECT 
..........f.   PRACTICING BOWING and ARTICULATION AT UH (UPPER HALF) OF BOW FOR RHYTHMIC 
                FLOW USING OPEN STRINGS IN ORDER: GG, DD, AA EE (REPEATING OVER AND OVER) TO                         THE  SONG "PUMPED UP KICKS" AS A BACKGROUND

Friday, September 3, 2010

FRIDAY, SEPTEMBER 3, 2010

GENERAL MUSIC PERIODS 2, 3:
COMPOSER: CHOPIN Waltz in C# Minor Opus 64-2 

OBJECTIVE: Rules and Procedures
1. Manilla folders passed out and students write names and period number on the cover. This is to hold all classwork/then work on "Silly Test"of class behavior rules: first 5 minutes
2. Seating Charts: Review seating charts to check if everyone knows where to sit

3. Solfege Roll: Teacher with hand signals: Sol-Mi-Sol-Sol-Mi ("Mar-y are you here?")/Student answers with hand signals: 

    Sol-Mi-Sol-Mi ("Yes I am").
4. Finish Discussion of "Silly Rules" and turn-in.

5. Discuss important points on the class rule sheets (that are to be taken home to be signed).
    Important: bathroom/water usage rules, grading policy, and behavior expectations.
6. "Silly Rules" worksheet to be turned in: 1 point
7. Class Rule sheets to be taken home and signed: 1 point
8. This week's participation grade (1 point for each day) total: 3 points


GENERAL MUSIC PERIOD 6:
1. Interested students (9 students) invited to the band teacher's class (Mr. Roa) for demonstration and discussion of different 
    band instruments to see if they might be interesting in joining beginning band. 
2. Remainder of students:
....a. Set-Up Seating Charts
....b. Solfege introduction (see Sept. 2nd lesson periods 2,3)
....c. Solfege roll (see Sept. 2nd lesson periods 2,3)
....d. Directions for movement solfege in preparation for movement exercise "Jorge the Gila Monster" (see procedures Sept. 

        2nd lesson periods 2,3)
        To complete next lesson
....e. Participation points for the week (1 point for each day): 3 points


BEGINNING VIOLIN PERIOD 5:
OBJECTIVE: Keyboard exploratory/assignment of violins
1. Review seating chart
2. Directions/procedures for using keyboards: students to explore different sounds
3. Sizing of instruments (to be done while students are at keyboards)
    Individual students are called up to have violins sized and assigned then go back to keyboards. (To finish at next lesson)


ADVANCED VIOLIN PERIOD 4:
OBJECTIVE: Open String Bow-Tone Warm-Ups/Scales and Open String Note Reading Review
1. TUNE
2. Open string bowing:
.....a.  sep. bows UH 4x each string
.....b. bows LH 4x each string
.....c.  sep. bows "My Sis-ter Marc-y" bow speed exercise UH 2x each string
3. Open string pattern scales/ 1 octave/ KEY G, D, A sep. bows UH
4. Review note reading: song: Rudolph (beginning part)
5. Start Rudolph advanced part