Wednesday, October 23, 2013

WEDNESDAY, OCTOBER 23, 2013

QUOTE:
“Answer them [critics] with silence and indifference. It works better, I assure you, than anger 
  and argument.”
AUTHOR: Gioacchino Rossini
MEANING OF THE QUOTE:
“Do not let critics stop you from creating your art. Ignore their negative 
  comments if the comments are not constructive ones.”









COMPOSER
DVORAK


American Quartet
Prazak Quartet
http://www.youtube.com/watch?v=pV-kbAydcwk&feature=related


Joachim Quartet performing in the Berlin Singakademie.
Engraving after painting by Felix Possart, c. 1900 

I was absent today so I had the substitute play a musical film for all my classes:  "The King and I"

Tuesday, October 22, 2013

TUESDAY, OCTOBER 22, 2013

QUOTE:
“Art is a kind of illness.”
AUTHOR: Giacomo Puccini
MEANING OF THE QUOTE:
“A true artist is addicted to his art.”








COMPOSER
DVORAK

Cello Concerto
Thomas Eakins: The Cello Player

Complete with Orchestra Adam Liu, Cello
http://www.youtube.com/watch?v=rnbHRChpYXE&feature=related

Howard Everett Smith: The Cello Recital

GRANADA ADV. STRINGS
1.  TUBALALAIKA

INTRO. TO INSTRUMENT
GRANADA
1.  KEYBAORD
a.  Pentatonic Song Quiz
b.  Students at Keyboards
1)  Practice for quiz
2) Practice recorder songs to be played on the keyboard worked on yesterday
HILLVIEW
1.  THEORY: Lines and Spaces
a.  Completed theory packets

GRANADA BEG. STRINGS
1.  OPEN STRINGS
a.  Lifted UP bows at the tip
b.  7 Bow levels
2.  JINGLE BELLS
a.  Worked on note reading
b.  Worked on concept of fingering
c.  Played song on the violin while singing the note names out loud

HILLVIEW ORCHESTRA
SECTIONALS FIRST 20 MINUTES
1.  Bb Instruments practicing Believe and Tumbalalaika
2.  Flutes practicing Greensleeves
3.  Saxophones practicing as needed in a practice room
4.  Everyone else working on keyboard booklets at keyboards
EVERYONE TOGETHER LAST 20 MINUTES
1.  BELIEVE

Monday, October 21, 2013

MONDAY, OCTOBER 21, 2013

QUOTE FROM THE BOARD:
“One supreme fact which I have discovered is that it is not willpower, but fantasy-imagination 
  that creates. Imagination is the creative force. Imagination creates reality.”
AUTHOR: Richard Wagner
MEANING OF THE QUOTE:
"Creativity starts first in your imagination."








COMPOSER 
DVORAK


NEW WORLD SYMPHONY
http://www.youtube.com/watch?v=ETNoPqYAIPI



NEW WORLD SYMPHONY
ANALYSIS BY LEONARD BERNSTEIN
http://www.youtube.com/watch?v=79D5sOD5duE



GRANADA ADV. STRINGS
1.  8TH NOTE SUBDIVISION
2.  SCALE
a.  G Major in rounds
3.  BELIEVE

INTRO. TO INSTRUMENT
GRANADA
1.  RECORDER TO KEYBOARD SONGS
a.  Wrote in names of notes
b.  Practiced at keyboards
2.  PENTATONIC SONGS
a.  Practice for tomorrows quiz
HILLVIEW
1.  VIOLIN
a.  Practice putting on shoulder rests
b.  Worked on holding instruments on shoulders without hand
c.  Started left hand pizzicato of open strings in 5th position

GRANADA BEG. STRINGS
1.  SCALES
a.  Open string scales G, D, and A Major UH bow
2.  JOY TO THE WORLD
a.  Played by rote
b.  Worked on all the passages and put together

HILLVIEW ORCHESTRA
1.  8TH NOTE SUBDIVISION
2.  SCALE
a.  D Major with 1st finger shifiting in strings/separate for winds
3.  TUMBALALAIKA
3.  BELIEVE

Friday, October 18, 2013

FRIDAY, OCTOBER 18, 2013

QUOTE:
“What you are, you are by accident of birth; what I am, I am by myself. There are and will be a 
  thousand princes; there is only one Beethoven.”
AUTHOR: Ludwig van Beethoven

MEANING OF THE QUOTE:
“Beethoven thinks he is unique, better than others. Through 
arrogant, his ego helped him produce beautiful music."



COMPOSER
COPLAND
The Lincoln Memorial
Norman Rockwell
Norman Rockwell
Norman Rockwell
Lincoln Portrait
Narrated by Gregory Peck
Slide Show Produced by James Ayala
https://www.youtube.com/watch?v=cpocnsH3D7k
http://www.youtube.com/watch?v=ahWeXfTsjuA&feature=related


LeRoy Neiman
Lincoln Portrait
Narrated by Henry Fonda

https://www.youtube.com/watch?v=3sv4Xzyn0wk


Marsden Hartley

LESSON PLAN
Aaron Copland and Lincoln Portrait
© Education Through Music, Inc. May be reproduced for educational purposes.


CURRICULUM CONNECTIONS
Social Studies: Abraham Lincoln, Civil War

AIM
Students will explore how music can create mood by listening, discussing and writing.

MATERIALS
Recording with excerpts
Information worksheet
Lyric sheet

ASSESSMENT
Read, correct and review homework assignments.


PROCEDURE
1.
Review music vocabulary: 
piano, forte, crescendo, decrescendo, dolce.
2.
Ask the question to the class: 
“Can music express emotion or feeling? 
How? 
Give examples.” 
Write responses on the board.
3.
Introduce American composer Aaron Copland. 
Write his name, dates, and Lincoln Portrait on the board. 
Hand out information worksheet and read aloud or silently.
4.
Listen to two short excerpts: 
the beginning of Appalachian Spring or the Clarinet Concerto 
and the beginning of Fanfare for the Common Man. 
Play the first 30 seconds of each. 
After listening to each ask students to use two words to describe how the music “felt.” 
Write responses on the board.
5.
Copland wrote another piece called Lincoln Portrait.
What is a portrait?
Can music be a portrait?
How?
6.
Create asemantic web for Abraham Lincoln.
Ask children to provide information about Lincoln
(16th president, very tall, had a beard, freed the slaves,
Civil War, assassinated, penny and five dollar bill, etc.).
7.
Ask students to listen to the beginning of the work and to
raise their hand when they hear something unusual (narrator).
Play the beginning of Lincoln Portrait.
8.
What do you call someone who tells a story?
In the Lincoln Portrait, Copland has chosen to have a narrator speak during the music.
Who do you think he is going to speak about?
Whose words will he use?
9.
Pass out the lyrics sheet.
Listen to the excerpt and point out changes in mood.
Pause occasionally to make a point or ask about the mood of the music.
10.
Review assignment for homework.

Young People’s Concert
NHSO
Carving of Abraham Lincoln at Mount Rushmore, ca. 1934
GRANADA ADV. STRINGS
1. E MAJOR SCALE
a.  Shifting on one string ascending
b.  FINGERING:1 2 , 12, 1 2, 12
c.  Use of GUIDE NOTES
2.  TUMBALALAIKA

INTRO. TO INSTRUMENT
1. KEYBOARD
a. PENTATONIC BLACK KEY SONGS
b. EAR TRAINING

GRANADA BEG. STRINGS
1.  OPEN STRING BOWING
a.  7 Bow Levels UH bow
b.  Rhythm:  My Sis-ter Mar-cy for slow and fast bows
2.  JINGLE BELLS
a.  Harmony
1)  Explanation of harmony and melody
2) JINGLE BELLS OPEN STRING PART: MUSIC NOTATION
3)  JINGLE BELLS OPEN STRING and 1ST FINGER PART: MUSIC NOTATION (fingering perfect 5ths)
4)  Reviewed counting: quarters and 8ths
5)  Reviewed note reading
a.  Harmony and Melody 
1)  Class divided in half with one side playing melody and the other playing open string
harmony then they reverse
2)  Class divided in half with one side playing melody and the other playing open string and first finger harmony then they reverse
2)  Class divided into 3 parts (melody, and 2 harmony parts)
and played together 

HILLVIEW ORCHESTRA
1.  SCALE: G CONCERT
a.  Explanation of "tremelo"
b.  Strings played tremelo on each note of scale
c.  Winds played single notes
d.  Drums performed rolls
2.  TUMBALALAIKA
George P.A. Healy
Mathew B. Brady


File:Abraham Lincoln by John Wesley Jarvis 1861.jpg
John Wesley Jarvis, 1861

Thursday, October 17, 2013

THURSDAY, OCTOBER 17, 2013

QUOTE:
“Loving a child doesn't mean giving in to all his whims; to love him is to bring out the best in him, 
  to teach him to love what is difficult.”
AUTHOR: Nadia Boulanger
MEANING OF THE QUOTE:
“The greatest gift of love you can give a child is to teach him/her how to 
  love the challenge of achieving personal goals.”









COMPOSER
COPLAND
Intro: Lento, molto allegro (1/3)

Dance Symphony
Andante moderato (2/3)


Dance Symphony
Allegro vivo (3/3)
https://www.youtube.com/watch?feature=player_embedded&v=pmnvtUDEaMw


GRANADA ADV. STRINGS
1. SCALE: E CONCERT
a.  1st finger shift on one string
b.  1st finger shift on one string in intervals
2.  FELIZ NAVIDAD
23.  JINGLE BELL ROCK

INTRO. TO INSTRUMENT
GRANADA
1.  KEYBOARD
a.  Pentatonic Black-Key Songs: Ear training
1)  Review directions
2) Practice at keyboards with teacher guidance


HILLVIEW
1.  VIOLIN
a.  How to take instruments out of case
b.  Review of how to put on a shoulder rest
c. Assignment out of instruments to students

GRANADA BEG. STRINGS
1.  EARTH QUAKE DRILL
2.  JINGLE BELLS

HILLVIEW ORCHESTRA
1.  SCALE: G CONCERT
2.  FELIZ NAVIDAD

Wednesday, October 16, 2013

WEDNESDAY, OCTOBER 16, 2013

QUOTE:
“If something is boring after two minutes, try it for four. If still boring, then eight. Then sixteen, 
  then thirty-two. Eventually one discovers that it is not boring at all.”
AUTHOR: John Cage
MEANING OF THE QUOTE:
“Repetition helps to create interest. The more you are acquainted 
 with a subject the more you are apt to enjoy it.”


COMPOSER
COPLAND
Rodeo
(Four Dance Episodes)
http://www.youtube.com/watch?v=SXikDnYZYpM&feature=related


"Hoe Down" 
from Rodeo

 The main theme of the "Hoe-Down" section in Rodeo 
was taken from an actual fiddle tune called "Bonaparte's Retreat."

1993 Beef Commercial 
http://wheredihearthat.blogspot.com/2011/07/hoe-down-from-rodeo.html

Rodeo
Complete Ballet
Conductor: Leonard Slatkin
Detroit Symphony Orchestra, 2012

Rodeo, ballet, written in 1942

00:00 - I. Buckaroo Holiday
08:15 - II. Corral Nocturne
11:44 - III. Ranch House Party
15:05 - IV. Saturday Night Waltz
20:08 - V. Hoe-Down

GRANADA ADV. STRINGS
1.  D MAJOR SCALE
a.  Articulations 2 separate/2 slurred and 2 slurred/2 separate
2.  RUDOLPH
3.  JINGLE BELL ROCK

INTRO. TO INSTRUMENT
1.  HOLIDAY SONG:  JOLLY OLD ST NICK
a.  Reviewed fingering
b.  Practiced difficult muscle movement passages without blowing first
1) Fingers:  1-4 (B-low E)
c.  Played song without accompaniment
d.  Played song with accompaniment
2.  HOLIDAY SONG:  JINGLE BELLS
a.  Reviewed fingering
b.  Practiced difficult muscle movement passages without blowing first
1) Fingers:  3-7 (G-low C)
2)  Fingers:  4-6 (F-low D)
c.  Played song without accompaniment
d.  Played song with accompaniment

GRANADA BEG. STRINGS
1.  OPEN STRINGS
a.  7 Bow Levels UH of bow
(double stopping)
2.  JOY TO THE WORLD (by rote)
a.  Practiced the first 3 passages
1)  Practiced passage 1 then practiced passage 2 then practiced both passages together
2)  Practiced passage 3 then added it to passages 1 and 2

HILLVIEW ORCHESTRA
1. CONCERT C MAJOR SCALE
a.  Articulations:  2 separate/2 slurred
b.  Strings use bow proportions
2.  NOTE READING: 
BASS and TREBLE CLEF
a.  Turned in worksheets for grading
3.  FELIZ NAVIDAD

Tuesday, October 15, 2013

TUESDAY, OCTOBER 15, 2013

QUOTE:
“I'm beginning to understand myself. But it would have been great to be able to understand myself when I 
  was 20 rather than when I was 82.”
AUTHOR: Dave Brubeck
MEANING OF THE QUOTE:
“It takes a lifetime just to start understanding yourself.”








COMPOSER 
COPLAND


The Walls of Zion
Performed by the 2010 FVHS Chamber Choir
http://www.youtube.com/watch?v=2-dCclhMpVE&feature=related

Uncovering the Walls of Zion
Wall excavations
http://www.bib-arch.org/e-features/walls-of-zion.asp

This is the panoramic view of the area known as Kidron valley, south of the old city. 
Also seen is Mount of Olives (to the left), the Southern Walls excavation area (in front and to the right), 
Mount Zion and the Jewish quarter (to the right).
View from the Crusaders tower towards the Kidron valley.
http://www.biblewalks.com/Sites/Ophel.html
GRANADA ADV. STRINGS
1.  D SCALE
a.  Lifted up and down bows at the middle and frog
2.  SILENT NIGHT
3.  PACHELBEL CANON

INTRO. TO INSTRUMENT
1.  THEORY
a.  Directions of stems on notes
b.  Identification of LINES and SPACES on the staff
c.  Worked on the first 4 pages of this theory packet

GRANADA BEG. STRINGS
1.  OPEN STRINGS
a.  Lifted up bows at the tip
2.  SEA CRUISE
a.  Note Reading open strings and first line "E"
3.  PERFECT 5THS CONCEPT
a.  Placing a finger on the same place on the fingerboard across two strings
4.  GET READY
a.  Playing a song which utilizes fingering of Perfect 5ths: 1st finger on the strings G, D, A

HILLVIEW ORCHESTRA
1.  SECTIONALS FOR 20 MINUTES
a.  Violins: JINGLE BELL ROCK
b.  Flutes:  GREENSLEEVES
c.  Everyone else at keyboards
2.  TUMBALALAIKA
a.  Sight Reading