Saturday, February 28, 2015

Charles Ives Quotes



CHARLES IVES
October 20, 1874 – May 19, 1954
American classical composer,
also co-founder of the insurance firm
Ives and Myrick
A rare experience of a moment at daybreak,
when something in nature seems
to reveal all consciousness,
cannot be explained at noon.
Yet it is part of the day's unity.
Awards are merely the badges of mediocrity.
But maybe music was not intended to satisfy
the curious definiteness of man.
Maybe it is better to hope that music
may always be transcendental language
in the most extravagant sense.
Every great inspiration is but an experiment.
The possibilities of percussion sounds,
I believe, have never been fully realized. 
In 'thinking up' music
I usually have some kind of a brass band
with wings on it in back of my mind.
It is conceivable
that what is unified form to the author or composer
may of necessity be formless to his audience.
The fabric of existence weaves itself whole.
But maybe music was not intended
to satisfy the curious definiteness of man.
Maybe it is better to hope
that music may always be
transcendental language
in the most extravagant sense.
There can be nothing exclusive
about substantial art.
It comes directly out
of the heart of the experience of life
and thinking about life and living life.
Vagueness is at times an indication
of nearness to a perfect truth.
You cannot set art off in a corner
and hope for it to have
vitality, reality, and substance.
The word 'beauty' is as easy to use
as the word 'degenerate.' 
Both come in handy
when one does or does not agree with you.
Memories: (A) Very Pleasant; (B) Rather Sad.

IVES LINKS



Friday, February 27, 2015

FRIDAY, FEBRUARY 27, 2015

QUOTE:
"I adore art...when I am alone with my
 notes, my heart pounds and the tears
 stream from my eyes, and my emotion
 and my joys are too much to bare."
AUTHOR: Giuseppe Verdi
MEANING OF THE QUOTE:
"The emotion and joy felt from the
  act of creating art is totally fulfilling."










COMPOSER
HAYDN

SYMPHONY NO. 59 (ca. 1768)
in A MAJOR HOB..I:59
"Feuer" (Fire)
Adam Fischer, Conductor
Austro - Hungarian Haydn Orchestra

Marcus_Larson_-_Storm_på_havet
The abounding energy in the first movement
of this symphony may have led to its nickname
"Fire." Some authorities suggest though that
the name "Fire" is connected to (or with) a
Haydn marionette opera entitled Die
Feuerbrunst (literally Fire-Love), being
performed at Esterhaza Palace to which this
symphony may have originally been its overture.

Haydn wrote his operas primarily for
performance in the private theater of his
patron the Hungarian Prince Eszterhazy.
The Eszterhaza palace complex included an
elaborate, large-scale marionette theater. For
the sophisticated marionette shows Haydn was
expected to provide instrumental and vocal
music. The scores of Haydn's puppet singspiels
have been largely lost. This is one of only two
such surviving works that has been
reconstructed for modern performance.

During the composer’s lifetime the work was
dubbed the Feuer Sinfonia on at least one set of
orchestral parts used by the composer himself.
The handwritten copy of the manuscript, now at
Yale University, was prepared during Haydn's
lifetime from the original which has been lost.
The copy was prepared by Johann Traeg, a
Viennese publisher, who owned at least half a
dozen original Haydn manuscripts by the end of
the eighteenth century. A difference exists
between the name Haydn gave the Opera and
that given to it by the Traeg Catalogue, in which
it is called "Die Feuerbrunst" (The Fire") Haydn
called it Die Feuersbrunst, oder das abgebrannte
Haus ("The Conflagration, or the House that
Burned Down," 1776 - 77).
SYMPHONY NO. 59 (ca. 1768)
in A MAJOR HOB. I:59
"Feuer" (Fire)
David Blum, Conductor
Esterhazy Orchestra
I. Presto
II. Andante o più tosto Allegretto 5:46
III. Menuetto – Trio 13:30
IV. Allegro assai 17:17

Thursday, February 26, 2015

THURSDAY, FEBRUARY 26, 2015

QUOTE:
"It's not what you are, but what
 you don't become that hurts."
AUTHOR: Oscar Levant
MEANING OF THE QUOTE:
"Not working up to and using your abilities to their fullest
 potential will stop you from feeling content with your progress."







COMPOSER
HAYDN

http://www.classicfm.com/composers/haydn/music/cello-concerto-no1-c/
CELLO CONCERTO NO. 1
in C MAJOR HOB. VIIb:1
Mstislav Rostropovich, Cello
Iona Brown, Conductor
St Martin-in-the-Fields

I. Moderato
II. Adagio
III. Allegro molto

CELLO CONCERTO NO. 1
in C MAJOR HOB. VIIb:1
I. Moderato
Cello Concerto in C Major 1st Movement:
Main theme played on cello after orchestral introduction
Jacqueline du Pre, Cello
Daniel Barenboim, Conductor
English Chamber Orchestra
CELLO CONCERTO NO. 1
in C MAJOR HOB. VIIb:1
Jacqueline du Pre, Cello
Daniel Barenboim, Conductor
English Chamber Orchestra
CELLO CONCERTO NO. 1
in C MAJOR HOB. VIIb:1
Jacqueline du Pre, Cello
Daniel Barenboim, Conductor
English Chamber Orchestra
Paul Gauguin: The Cellist