QUOTE:
"One supreme fact which I have discovered is
that it is not willpower, but fantasy-imagination
that creates. Imagination is the creative force.
Imagination creates reality."
that it is not willpower, but fantasy-imagination
that creates. Imagination is the creative force.
Imagination creates reality."
"Creativity starts first in your imagination."
COMPOSER
IVES
"UNANSWERED QUESTION"
Gustavo Dudamel, Conductor
"UNANSWERED QUESTION"
Leonard Bernstein, Conductor
New York Philharmonic
New York Philharmonic
Excerpt from Lecture 5:
The 20th Century Crisis
Mr. Bernstein uses Ives' short composition
"The Unanswered Question" as a vehicle
to pose the central Question of his
Lecture Series: Wither Music?
"The purpose is not so much to answer
the question as to understand it. To
redefine it. It would be pretentious to
assume that we'll be able to answer the
ultimate question, but it's reasonable
to assume we should be able to make
some educated guesses."
http://www.npr.org/blogs/deceptivecadence/2013/07/05/199009541/behind-the-music-charles-ives |
"UNANSWERED QUESTION"
James Sinclair, Conductor
Northern Sinfonia
In the 1930's Ives attached a program
something like what must have been
on his mind in 1906:
The strings play a very quiet cushion of chords
throughout, representing "the silences of the
Druids, who know, see, and hear nothing;" over
this indifferent universal background a lone
trumpet repeatedly intones "The Perennial
Question of Existence," while a quartet of
woodwinds representing the "Fighting
Answerers," scurry about looking for the answer.
As the trumpet keeps asking the same question,
the woodwinds become more and more frantic
with their quest but for all their sound and fury
get nowhere. The trumpet asks once more, but
this time the only answer is silence. The silences
are heard beyond in an "undisturbed solitude."
are heard beyond in an "undisturbed solitude."
and in his writings: in contemplating
the sublime mystery of creation, a
question can be better than an answer.
https://archive.org/details/Ives--theUnansweredQuestion
http://www.tso.ca/en-ca/Discover-the-Music/Programme-Notes/The-Unanswered-Question.aspx
http://www.tso.ca/en-ca/Discover-the-Music/Programme-Notes/The-Unanswered-Question.aspx
http://cso.org/uploadedfiles/1_tickets_and_events/program_notes/programnotes_also_sprach.pdf
http://alexburtzosmusic.com/wp-content/uploads/2014/04/Charles-Ives-Symphony-4-Analysis-Alex-Burtzos.pdf
http://www.caseyrobertson.net/unansweredquestion.pdf
http://thegilmore.org/zgilmore/assets/uploads//2014/04/GFCO-note.pdf
http://alexburtzosmusic.com/wp-content/uploads/2014/04/Charles-Ives-Symphony-4-Analysis-Alex-Burtzos.pdf
http://www.caseyrobertson.net/unansweredquestion.pdf
http://thegilmore.org/zgilmore/assets/uploads//2014/04/GFCO-note.pdf
https://books.google.com/booksid=I6tdoiIvoMwC&pg=PA898&lpg=PA
898&dq=unanswered+question+ives&source=bl&ots=mRQZDmz2g
o&sig=xTpmJ60bmEDbCzY3L2JdQwHns0&hl=en&sa=X&ei=7fjvV
KrxIsTToATio4HYBQ&ved=0CEcQ6AEwBzgo#v=one
page&q=unanswered%20question%20ives&f=false
http://www.reallybadreverb.com/Really_Bad_Reverb/
Abram_Taber_-_Writings_files/unanswered_question.pdf
http://jameskanestl.com/?p=265
http://www.caseyrobertson.net/unansweredquestion.pdf
http://www.wisskirchen-online.de/downloads/ivestheunansweredquestion.pdf
898&dq=unanswered+question+ives&source=bl&ots=mRQZDmz2g
o&sig=xTpmJ60bmEDbCzY3L2JdQwHns0&hl=en&sa=X&ei=7fjvV
KrxIsTToATio4HYBQ&ved=0CEcQ6AEwBzgo#v=one
page&q=unanswered%20question%20ives&f=false
http://www.reallybadreverb.com/Really_Bad_Reverb/
Abram_Taber_-_Writings_files/unanswered_question.pdf
http://jameskanestl.com/?p=265
http://www.caseyrobertson.net/unansweredquestion.pdf
http://www.wisskirchen-online.de/downloads/ivestheunansweredquestion.pdf
GRANADA ADV. STRINGS
1. A MAJOR SCALE 2 OCTAVES
a. Slurring 4 WB
2. VIVA LA VIDA
INTRO. TO INSTRUMENTS
1. KEYBOARD (RECITAL PRACTICE)
a. America
b. Yankee Doodle
a. America
b. Yankee Doodle
GRANADA BEG. STRINGS
1. MAJOR SCALES G, D, A
a. Cherry Pie and Strawberry Rhythms
b. Bow proportioning
a. Cherry Pie and Strawberry Rhythms
b. Bow proportioning
2. CHARIOTS OF FIRE
a. Started the hard part
b. Musical Road Signs
a. Started the hard part
b. Musical Road Signs
HILLVIEW ORCHESTRA
1. C Major Scale 4x each note
a. Rhythm: slow-slow-fast-fast-slowb. Bow proportions for strings
2. LAS MANANITAS II