Saturday, September 10, 2011

MOZART MIRROR DUET (updated)




THE MIRROR DUET
The "Der Spiegel" (The Mirror) is a short
duet written for two unaccompanied violins
and is attributed to Mozart. What makes this
piece both unique and fascinating is that the
violin II part is the same music as the violin I
part only read upside down; a composition
technique known as an inverted retrograde,
similar to a palindrome. Because this
composition is often played with the two
musicians facing each other sharing one
sheet of music on a single stand laid
flat like a table it is sometimes 
called a "tabletop duet."
MIRROR DUET
EXAMPLE 2
https://www.youtube.com/watch?v=nB1
QFaEiAZU&feature=youtu.be
Milton Glaser: Mozart Sneezes, 1983
MOZART
DER SPIEGAL DUET 1

MOZART
DER SPIEGAL DUET 2
MORE PALINDROMES
HAYDN MINUET:
The orchestra plays the first part twice
forwards, twice backwards, the second
part twice forwards, twice backwards,
and finally the first part twice
forwards, twice backwards.
HAYDN SYMPHONY NO. 47 IN G

III. Menuet al Roverso
Completely Palindromic Minuet and Trio
Tafelmusik, Performers

http://musicalassumptions.blogspot.com/2010/07/dancing-forwards-and-backwards.html
BACH CRAB CANON:
The manuscript depicts a single musical
sequence that is to be played front to
back and back to front.

Friday, September 9, 2011

WHAT WE DID TODAY 2011-2012: SEMESTER #1 FRIDAY; SEPTEMBER 9, 2011

GENERAL MUSIC periods 1,2,3
OBJECTIVE: MUSICAL ALPHABET AND THE KEYBOARD
....MUSICAL ALPHABET GRAPHS (CONTINUED AS NEEDED)
....MUSICAL ALPHABET WORD SHEET

........1. Passed out and explained.
............a. Using the 7 musical alphabet letters only see how many words you can write down.
............b. May repeat letters as often as needed, use proper names, and abbreviations.
............c. Use only words in the dictionary and appropriate for use in school.
........2. To work on after graphing is completed.

....MUSICAL ALPHABET ON THE KEYBOARD

........1. Review directions about procedures on using the keyboards.
........2. Students are to take their PENTATONIC WORK SHEETS (see this video for a review of pentatonic black key notes: 

up with them to the keyboard and try to play some of the songs on the sheet by ear.
............a. For each song a starting key name [it will be a flat (symbol: "b") name] is given. To locate that key (if not memorized yet) follow this procedure:
..................1) Locate black keys in groups of 2.
..................2) Find the white key in between the black keys in groups of 2 and that white key is named "D."
..................3) Using the musical alphabet (forward to the right or backwards to the left) on the white keys locate the letter name of the related black key you wish to find.
..................4) Once you locate the white key the black key directly to the left of the white key will be the note you will start the song on

.............b. Ear Training 
..................1)Choose a song from the sheet that you know and can hum to yourself.
..................2)Listen to yourself and determine when the sounds go higher and lower and when the sounds are close together or far apart.
..................3)Starting at the indicated first key of the song press down the next key in the direction you think the sound moves (right for higher, left for lower). If you hit the wrong note (the sound does not match what you hear in your head) try a different key until you find the correct one.
..................4)Ear training is called "training" for a purpose. Training the ear often starts off by experimentation and will become more acute with practice or "training" so don't be afraid to make a mistakes.

..................5)Improvise or create your own songs using only the black keys of the piano 


........2. The teacher will be checking students to see if they are able to demonstrate the concepts they have been asked to practice and help as needed.
(THIS LESSON WAS CONTINUED FROM YESTERDAY)


BEGINNING VIOLIN period 5
OBJECTIVE: PARTS AND CARE OF INSTRUMENTS
(SEE my Blog pages for a review with detailed explanations)

....PARTS OF THE BOW EXPLAINED
....STRINGS
........1. WHAT THEY ARE MADE OF
........2. STRING NAMES (MEMORIZED and EAR TRAINED)

....REVIEW OF VIOLIN PARTS....SHOULDER REST-WHY YOU MAY NEED IT
....SHOULDER REST-WHAT IT FEELS LIKE TO HOLD THE VIOLIN WITH and WITHOUT IT
....HOW SHOULDER RESTS ARE PUT ON THE VIOLINS
....START TO PASS OUT INSTRUMENTS
........1. Marking Cases
........2. How to open the case properly
........3. Guided help on putting on shoulder rests

(TO BE CONTINUED MONDAY)


ADVANCED VIOLIN period 4
OBJECTIVE: CONCERT SONG PRACTICE
....TUNE
....WARM-UP: SHIFTING ONE OCTAVE SCALES KEYS OF G, D, A "ASCENDING"
........1. Starting with open string as "DO" add the first finger for "RE" then shift slowly with the same finger into "MI" all the way up the instrument to high "DO"........2. Slow shifting means to hear the tones in between the shift so you will hear when to stop (at first it might sound "slurpy"
........3. Bo
wing:

DOWN BOW on first "DO" then...
UP BOW "DO-RE"/
DOWN BOW "RE-MI"/
UP BOW "MI-FA" /
DOWN BOW "FA-SOL"/
UP BOW "SOL-LA"/
DOWN BOW "LA-TI"/
UP BOW "TI-DO" /
...."SALLY'S SONG"
........1.Listen to the recorded accompaniment........2.Review note names/counting of bass harmony part (music parts arranged for the different instruments) and play with accompaniment
........3. Go over musical "Road Map" directions (repeats, etc.) and replay.

Thursday, September 8, 2011

WHAT WE DID TODAY 2011-2012: SEMESTER #1 THURSDAY; SEPTEMBER 8, 2011

GENERAL MUSIC periods 1,2,3
OBJECTIVE: MUSICAL ALPHABET AND THE KEYBOARD
....MUSICAL ALPHABET GRAPHS (CONTINUED AS NEEDED)
....MUSICAL ALPHABET WORD SHEET

........1. Passed out and explained.
............a. Using the 7 musical alphabet letters only see how many words you can write down.
............b. May repeat letters as often as needed, use proper names, and abbreviations.
............c. Use only words in the dictionary and appropriate for use in school.
........2. To work on after graphing is completed.

....MUSICAL ALPHABET ON THE KEYBOARD

........1. Review directions about procedures on using the keyboards.
........2. Students are to take their PENTATONIC WORK SHEETS (see this video for a review of pentatonic black key notes:) 

up with them to the keyboard and try to play some of the songs on the sheet by ear.
............a. For each song a starting key name [it will be a flat (symbol: "b") name] is given. To locate that key (if not memorized yet) follow this procedure:
..................1) Locate black keys in groups of 2.
..................2) Find the white key in between the black keys in groups of 2 and that white key is named "D."
..................3) Using the musical alphabet (forward to the right or backwards to the left) on the white keys locate the letter name of the related black key you wish to find.
..................4) Once you locate the white key the black key directly to the left of the white key will be the note you will start the song on

.............b. Ear Training 

..................1)Choose a song from the sheet that you know and can hum to yourself.
..................2)Listen to yourself and determine when the sounds go higher and lower and when the sounds are close together or far apart.
..................3)Starting at the indicated first key of the song press down the next key in the direction you think the sound moves (right for higher, left for lower). If you hit the wrong note (the sound does not match what you hear in your head) try a different key until you find the correct one.
..................4)Ear training is called "training" for a purpose. Training the ear often starts off by experimentation and will become more acute with practice or "training" so don't be afraid to make a mistakes.

..................5)Improvise or create your own songs using only the black keys of the piano 

........2. The teacher will be checking students to see if they are able to demonstrate the concepts they have been asked to practice and help as needed.
(TO BE CONTINUED TOMORROW.)


BEGINNING VIOLIN period 5
OBJECTIVE: VIOLIN HISTORY/PARTS AND CARE OF INSTRUMENTS
....DEMONSTRATION OF REAL INSTRUMENTS FROM THE VIOLIN FAMILY
........1. STRING FAMILY OF THE ORCHESTRA
............a. DOUBLE BASS: The FATHER

.................1) Strings named from high to low: G, D, A, E
.................2)
Strings named same as the violin's but in reverse order
.............b. CELLO: The MOTHER
.................1)
Strings named from high to low: A, D, G, C
.................2) Strings named same as the viola's but lower
.............c. VIOLA: The BIG BROTHER
..................1) Strings named from high to low: A, D, G, C
.................2) Strings named same as the cello's but in higher
.............d. VIOLIN: The LITTLE SISTER
..................1)Strings named from high to low: E, A, D, G
..................2) Strings named same as the double bass' but in reverse order
........2. EARLY STRING HISTORY
............a. REBEC
............b. VIELLE
............c. VIOLA DA GAMBA

....PARTS OF THE VIOLIN DEFINED, NAMED, AND PASSED AROUND
........1. SCROLL
........2. PEGS
........3. PEG BOX
........4. NUT
........5. FINGERBOARD
........6. NECK
........7. WAIST or BOUTS
........8. BRIDGE
........9. STRINGS
.......10. FINE TUNERS
.......11. TAIL PIECE
.......12. TAIL PIECE ADJUSTER or STRING
.......13. END BUTTON (CELLO: END PIN)
.......14. "F" HOLES (SOUND HOLES)
.......15. SOUND POST(CONTINUE WITH BOW TOMORROW)

ADVANCED VIOLIN period 4
OBJECTIVE: CONCERT SONG PRACTICE
....TUNE
....WARM-UP: CYCLE OF STRINGS-LIFTED BOWS
(ARTICULATION-RINGING TONE)

........1. Lifted bows at the frog (4x down)
........2. Lifted bows at the middle (4x down)
........3. Lifted bows at the tip (4x down)
...."SILENT NIGHT"

........1.Listen to the recorded accompaniment.
........2
.Review note names/counting of bass harmony part (music parts arranged for the different instruments)
and play with accompaniment
........3. Review note names/fingerings of melody parts and sight read with recoded accompaniment.

...."HASTE TO THE WEDDING"

........1. Work on 2nd half of the piece; a phrase first to be learned using the upper notes then add in the lowered ones for double stopping. (Double stopping produces harmony and will help secure good intonation.)
........2. Quiz this coming Wednesday on this phrase of music.

Wednesday, September 7, 2011

WHAT WE DID TODAY 2011-2012: SEMESTER #1 WEDNESDAY; SEPTEMBER 7, 2011

GENERAL MUSIC periods 1,2,3
OBJECTIVE: MUSICAL ALPHABET AND THE KEYBOARD
....MUSICAL ALPHABET GRAPHING WORKSHEET(CONTINUED)
....1. Sheet #2: Students will determine the direction of the musical alphabet at the beginning of each graph and complete 
         the musical alphabet in the proper direction. Colors (one for each of the 7 letters) will be added in as before. (Sheet 
         #3 is extra credit. It is similar to Sheet #2)
....2. Sheet #4: Finding patterns
........a. Patterns are found in music everywhere; often there are patterns within patterns. This exercise is to give an idea 
            of how musical sounds are arranged to create anywhere from simple to complex patterns.
........b. Musical patterns are mathematical try to find the mathematical formulas in each pattern.
........c. Locate the musical alphabet patterns in each pattern (forward or backwards).
........d. Using your color key as before color in the squares. The colors you see are also colors you hear.

MUSICAL ALPHABET WORD SHEET
Pass out musical alphabet word sheets (leave in folder to work on after graphs are completed)
Using the musical alphabet letters only see how many words you can find. Letters can be repeated or used more than once, names, and abbreviations as well. Write down only words properly used in a classroom atmosphere.

Musical alphabet applied to the keyboard:
Pass out pentatonic song sheets.

We will be playing songs using only the black keys on the keyboard [pentatonic term means 5 in reference to the 5 black (sharp and flat) keys on a keyboard]

On the sheet students will see a variety of pentatonic (black key only) songs with only the starting pitch name given. Students are to sing the song to themselves and then try to figure out the location of the keys on the keyboard by playing them by "ear" (a method where the musician plays songs without ever having read the music). In the beginning playing by "ear" takes training ("ear training") by experimentation/trial and error.

To do this you must be able to locate the starting pitch key (in theses examples they will be flats). The procedure for doing this if the names of the keys on the keyboard are not memorized is by: 1. Locate "D" (white key) as a starting point for the musical alphabet. Use the musical alphabet forward or backwards to locate the white key letter name related to the flat pitch indicated as the start of the song.

Behavior and use of class keyboards explained.
Assignment at the keyboards: 
 1. Be able to locate all the "D's" on the keyboard. 
 2. Be able to find the starting "flat" key for the song chosen 
 3. try to play the song "by ear." When completed try other songs. Teacher will be checking.
Applying the musical alphabet on the keyboard.

ADVANCED VIOLIN 
OBJECTIVE: BOWING PROPORTIONS and "HARVEST FESTIVAL" MUSIC
....TUNING
....WARM-UP
........1. Cycle of Strings
..............a. Single Bows Upper Half (UH).
..............b. Single Bows Lower Half (LH).
..............c. Bow Proportioning (W=WHOLE/ UH=UPPER HALF/ LH=LOWER HALF)
..................1)Bow to the rhythm of the words "My Sis-ter Marc-y"
..................2)Perform the pattern 2x each string (note)
..................3)Start down bow and continue with the bowing as it comes
..................4)Use this pattern of bow proportions: W--UH-UH-W--W--/W--LH-LH-W--W--//
....NOTE READING REVIEW
........1. Review line-space musical alphabet rule to read the notes on the musical staff:
             A line to the very next space or a space to the very next line (step-wise motion) going up is one note higher in the 
             musical alphabet and a line to the very next space or a space to the very next line (step-wise motion) going 
             down is one note lower in the musical alphabet.
........2. Review treble clef note reading.
............a. Treble Clef is often called the "G" clef because it is a symbol which looks like a fancy "G" and because the circle portion of the "G" goes around line 2 of the music staff which is the line that represents the note "G"
........3. Review bass clef note reading.
.............a. Bass Clef is often called the "F" clef because it is a symbol that looks like a fancy "F" and because the two 
                 small dots (which help create the look of the"F") located above and below line 4 of the music staff are 
                 emphasizing (or in a way) pointing towards line 4 which represents the note "F."
....SONG: "HASTE TO THE WEDDING"
........1. For sight reading and review everyone will read the double bass part (music is prepared for the different 
             instrumentations in the proper clefs for each instrument.)
............a. First read the notes out loud.
............b. Play with the accompaniment.
This to be continued tomorrow.)


BEGINNING VIOLIN
OBJECTIVE: RHYTHMIC INTRODUCTION
....APPLICATION OF QUARTER NOTES, QUARTER NOTE RESTS, EIGHTH NOTES IN PAIRS IN A RHYTHMIC 

     SONG: "ALLEY CAT" (CONTINUED)
........1. Review counting of quarters, quarter rests, eighth notes in pairs.
........2. Introduce concepts of:
............a. Meter: The mathematical formula at the beginning of a piece of music which determines the amount of beats in a 
                musical section or measure
............b. Measure: A section of music, measured by a mathematic formula given by the meter.
............c. Bar Line: The line(s) that divides the music notation into sections or measures.
............d. Measures Rest: A symbol for a measure of rest (a section of the music not played by a particular instrument) 
                with a number above it indicating more than 1 measure of rest. (In "Alley Cat" the music begins with 4 
                measures of rest.)
....EXTENSION OF "ALLEY CAT" RHYTHMIC SONG:
........1. After learning the left and right body percussion directions from the last lesson the body percussion will be 
             replaced with percussion instruments:
..............a. Left hand body percussion becomes wood sounding instruments (indicated by notes being the color black).
..............b. Right hand body percussion becomes scraping instruments (indicated by notes being the color red).
..............c. Triangles added at certain locations (indicated by a blue colored "X") replacing some quarter rests.
........2. Students count all the notes but only play on their specific instrument's color.
..............a. It is encouraged for students to count out loud as they play to help keep a focused concentration.
........3. Teacher points to the notes to help with tracking. (Student volunteers then become pointers to help class track.)
........4. Students perform rhythmic song without tracking help; each student responsible to count for themselves while 
            playing with the accompaniment.
(Tomorrow a little look at violin history and starting to learn the parts of the instrument.)

Tuesday, September 6, 2011

WHAT WE DID TODAY 2011-2012: SEMESTER #1 TUESDAY; SEPTEMBER 6, 2011

GENERAL MUSIC periods 1,2,3
OBJECTIVE: MUSICAL ALPHABET AND THE KEYBOARD
....MUSICAL ALPHABET GRAPHING WORKSHEET(CONTINUED)
....1. Sheet #2: Students will determine the direction of the musical alphabet at the beginning of each graph and complete 

         the musical alphabet in the proper direction. Colors (one for each of the 7 letters) will be added in as before. (Sheet 
         #3 is extra credit. It is similar to Sheet #2)
....2. Sheet #4: Finding patterns

........a. Patterns are found in music everywhere; often there are patterns within patterns. This exercise is to give an idea 
            of how musical sounds are arranged to create anywhere from simple to complex patterns.
........b. Musical patterns are mathematical try to find the mathematical formulas in each pattern.
........c. Locate the musical alphabet patterns in each pattern (forward or backwards).
........d. Using your color key as before color in the squares. The colors you see are also colors you hear.
(Tomorrow applying the musical alphabet on the keyboard.)

ADVANCED VIOLIN
OBJECTIVE: BOWING PROPORTIONS and "HARVEST FESTIVAL" MUSIC
....TUNING
....WARM-UP

........1. Cycle of Strings
..............a. Single Bows Upper Half (UH).
..............b. Single Bows Lower Half (LH).
..............c. Bow Proportioning (W=WHOLE/ UH=UPPER HALF/ LH=LOWER HALF)
..................1)Bow to the rhythm of the words "My Sis-ter Marc-y"
..................2)Perform the pattern 2x each string (note)
..................3)Start down bow and continue with the bowing as it comes
..................4)Use this pattern of bow proportions: W--UH-UH-W--W--/W--LH-LH-W--W--//
....NOTE READING REVIEW
........1. Review line-space musical alphabet rule to read the notes on the musical staff:
            A line to the very next space or a space to the very next line (step-wise motion) going up is one note higher in the 
            musical alphabet and a line to the very next space or a space to the very next line (step-wise motion) going                       down 
            is one note lower in the musical alphabet.
........2. Review treble clef note reading.
............a. Treble Clef is often called the "G" clef because it is a symbol which looks like a fancy "G" and because the 
                circle portion of the "G" goes around line 2 of the music staff which is the line that represents the note "G"
........3. Review bass clef note reading.
.............a. Bass Clef is often called the "F" clef because it is a symbol that looks like a fancy "F" and because the two 
                 small dots (which help create the look of the"F") located above and below line 4 of the music staff are 
                 emphasizing (or in a way) pointing towards line 4 which represents the note "F."
....SONG: "HASTE TO THE WEDDING"
........1. For sight reading and review everyone will read the double bass part (music is prepared for the different 
            instrumentations in the proper clefs for each instrument.)
............a. First read the notes out loud.
............b. Play with the accompaniment.
This to be continued tomorrow.


BEGINNING VIOLIN
OBJECTIVE: RHYTHMIC INTRODUCTION

....APPLICATION OF QUARTER NOTES, QUARTER NOTE RESTS, EIGHTH NOTES IN PAIRS IN A RHYTHMIC SONG: "ALLEY CAT" (CONTINUED)
........1. Review counting of quarters, quarter rests, eighth notes in pairs.
........2. Introduce concepts of:
............a. Meter: The mathematical formula at the beginning of a piece of music which determines the amount of beats in                   a musical section or measure
............b. Measure: A section of music, measured by a mathematic formula given by the meter.
............c. Bar Line: The line(s) that divides the music notation into sections or measures.
............d. Measures Rest: A symbol for a measure of rest (a section of the music not played by a particular instrument) 
                with a number above it indicating more than 1 measure of rest. (In "Alley Cat" the music begins with 4 
                measures of rest.)....EXTENSION OF "ALLEY CAT" RHYTHMIC SONG:
........1. After learning the left and right body percussion directions from the last lesson the body percussion will be 
             replaced with percussion instruments:
..............a. Left hand body percussion becomes wood sounding instruments (indicated by notes being the color black).
..............b. Right hand body percussion becomes scraping instruments (indicated by notes being the color red).
..............c. Triangles added at certain locations (indicated by a blue colored "X") replacing some quarter rests.
........2. Students count all the notes but only play on their specific instrument's color. 
..............a. It is encouraged for students to count out loud as they play to help keep a focused concentration.
........3. Teacher points to the notes to help with tracking. (Student volunteers then become pointers to help class track.)
........4. Students perform rhythmic song without tracking help; each student responsible to count for themselves while 
             playing with the accompaniment.
(Tomorrow a little look at violin history and starting to learn the parts of the instrument.)