"Music with dinner is an insult
both to the cook and the violinist."
AUTHOR: G. K. Chesterton
COMPOSER
BERNSTEIN
FANCY FREE
Ballet Music
Ballet Music
Leonard Bernstein, Conductor
Ballet Theater Orchestra, 1944
Ballet Theater Orchestra, 1944
(00:07) I. Enter Three Sailors
Very fast four
(03:00) II. Scene at the Bar
Poco meno mosso
(04:38) III. Enter Two Girls
Fast and hot
(06:02) IV. Pas de Deux
Very slowly
(09:09) V. Competition Scene
Opening tempo
VI. Three Dance Variations:
(12:12) Variation 1. Galop
Presto
(13:40) Variation 2. Waltz
Allegretto grazioso
(16:00) Variation 3. Danzon
Strong, moderate quarters
(18:39) VII. Finale
Tempo come prima
FANCY FREE
(Complete)
(Complete)
Jerome Robbins, Choreographer
New York City Ballet, 1986
New York City Ballet, 1986
ARTICLE FROM:
by Michael Blostein
Fancy Free was Leonard Bernstein's first
foray into the world of the ballet, and it
immediately became extremely popular.
The work's timing was significant. It had
its premiere on April 18, 1944, just weeks
after the successful premiere of the
"Jeremiah" symphony
and shortly after his appearance with the
New York Philharmonic on a nationwide
Having recently been appointed assistant conductor of the
New York Philharmonic Orchestra, Bernstein made his
New York Philharmonic Orchestra, Bernstein made his
DON QUIXOTE OP. 35
By Richard Strauss
This triple shot of Bernstein established him once
and for all as a major player in the musical world.
The story of the ballet is a simple one,
devised by Jerome Robbins.
Jerome Robbins |
It takes place in New York City,
where three sailors
are on shore leave. While in New York,
they meet three girls in a bar, dance
with them, fight over them, and then
realize how stupid it is to let women
they meet three girls in a bar, dance
with them, fight over them, and then
realize how stupid it is to let women
come between friends. The plot line was
reused by Bernstein in On The Town,
reused by Bernstein in On The Town,
his popular first Broadway musical.
The music in Fancy Free is based
to a considerable degree on popular
styles of the day. This is heard at
the beginning with "Big Stuff,"
BIG STUFF
LYRICS
So you cry
What's it about, baby?
You ask why
The blues had to go and pick you
So you go
Down to the shore kid's stuff
Don't you know
There's honey in the store for you big stuff
Let's take a ride in my gravy train
The doors open wide
Come in from out of the rain
So you stare
Call it despair baby
Don't you care
I'm on the square about you
Let's have a try
It maybe that you're my guy
(very short bridge)
Let's take a ride in my gravy train
The doors open wide
Come in from out of the rain
So you stare
Call it despair baby
Don't you care
I'm on the square about you
Let's have a try
It maybe that you're my guy
a popular hit Bernstein recorded
as a single later, made famous by
as a single later, made famous by
Billie Holiday.
The jazzy style of the piece was relatively
Billy Holiday |
new to both Bernstein's writing and to concert
music in general -- it had only been about 20
years since Rhapsody in Blue
RHAPSODY IN BLUE
BY GEORGE GERSHWIN
Leonard Bernstein, Piano
Leonard Bernstein, Conductor
Los Angeles Philharmonic Orchestra
broke many of the boundaries between jazz
and classical music. Bernstein continued
to explore this influence in many of
his subsequent works.
The structure of the work is designed with
dance in mind; there is little connective tissue
and classical music. Bernstein continued
to explore this influence in many of
his subsequent works.
The structure of the work is designed with
dance in mind; there is little connective tissue
between the sections, which are bridged
with solo piano music. The sections include
music derived not only from jazz, but also
from styles ranging from Stravinsky to
vaudeville. This kind of combining of styles
is pervasive in Bernstein's writing; it
continues in his later works, such as
Facsimile, the Mass, and Candide.
The music from the ballet was made into
a concert suite for orchestra by Bernstein.
The suite has six movements:
I. "Dance of the Three Sailors"
II. "Scene at the Bar"
III. "Pas de Deux"
IV. "Pantomime"
V. "Three Variations"
(Gallop, Waltz, Danzón)
VI. "Finale"
with solo piano music. The sections include
music derived not only from jazz, but also
from styles ranging from Stravinsky to
vaudeville. This kind of combining of styles
is pervasive in Bernstein's writing; it
continues in his later works, such as
Facsimile, the Mass, and Candide.
The music from the ballet was made into
a concert suite for orchestra by Bernstein.
The suite has six movements:
I. "Dance of the Three Sailors"
II. "Scene at the Bar"
III. "Pas de Deux"
IV. "Pantomime"
V. "Three Variations"
(Gallop, Waltz, Danzón)
VI. "Finale"
It was premiered on January 14, 1945,
by the Pittsburgh Symphony under
Bernstein's own baton.
Paul Cadmus: The Fleet's In!, 1934
The inspiration for the ballet, Fancy Free (1944).
|
13 years later. In fact, Fancy Free
was Robbin's idea. He had just
become a choreographer with the
American Ballet Theater and was
eager to find a composer for a ballet
to be based on a distictively American
scenario about sailors on shore leave
in New York. He turned to an unknown
musician of much the same age as
himself (Robbins and Bernstein were
both in their mid-twenties) who willingly
took on the project, getting to work on
it while the choreographer was on
tour with the ballet company and
sending him a piano recording of
each piece as he wrote it.
was Robbin's idea. He had just
become a choreographer with the
American Ballet Theater and was
eager to find a composer for a ballet
to be based on a distictively American
scenario about sailors on shore leave
in New York. He turned to an unknown
musician of much the same age as
himself (Robbins and Bernstein were
both in their mid-twenties) who willingly
took on the project, getting to work on
it while the choreographer was on
tour with the ballet company and
sending him a piano recording of
each piece as he wrote it.
For the January 1945 premiere of the
concert version Bernstein wrote down
these notes about the piece:
"From the moment the action begins,
with the sound of a juke box wailing
behind the curtain, the ballet is strictly
wartime America, 1944. The curtain
rises on a street corner with a lamp
post, a side-street bar, and New York
skyscrapers pricked out with a crazy
pattern of lights, making a dizzying
backdrop. Three sailors explode onto
the stage. They are on twenty-four-
hour shore leave in the city and on
the prowl for girls. The tale of how
they meet the first one, then a
second girl, and how they fight over
them, lose them, and in the end
take off after still a third, is
http://www.abt.org/education/archive/ballets/fancy_free.html
http://www.allmusic.com/composition/fancy-free-ballet-mc0002372704
http://compassrosebooks.blogspot.com/2009/08/bernsteins-fancy-free-revolutionary.html
http://www.playbillarts.com/features/article/8334.html
http://www.allmusic.com/composition/fancy-free-ballet-mc0002372704
http://compassrosebooks.blogspot.com/2009/08/bernsteins-fancy-free-revolutionary.html
http://www.playbillarts.com/features/article/8334.html
http://www.cpr.org/article/Bernstein_Fancy_Free
http://www.hollywoodbowl.com/philpedia/music/suite-from-fancy-free-leonard-bernstein
http://www.laphil.com/philpedia/music/suite-from-fancy-free-leonard-bernstein
http://markalburgermusichistory.blogspot.com/8990/08/leonard-bernstein-1918-1990.html
http://www.rarenewspapers.com/view/609637?list_url=%2Flist%2Farts-entertainment%3Fpage%3D7
http://webcache.googleusercontent.com/search?q=cache:wdQFz8qB
GUJ:www.liverpoolphil.com/download.php%3Fid%3D198+&cd=35&hl=en&ct=clnk&gl=us
http://www.hollywoodbowl.com/philpedia/music/suite-from-fancy-free-leonard-bernstein
http://www.laphil.com/philpedia/music/suite-from-fancy-free-leonard-bernstein
http://markalburgermusichistory.blogspot.com/8990/08/leonard-bernstein-1918-1990.html
http://www.rarenewspapers.com/view/609637?list_url=%2Flist%2Farts-entertainment%3Fpage%3D7
http://webcache.googleusercontent.com/search?q=cache:wdQFz8qB
GUJ:www.liverpoolphil.com/download.php%3Fid%3D198+&cd=35&hl=en&ct=clnk&gl=us
GRANADA ADV. STRINGS
1. NUMB
2. ELEANOR RIGBY
1. NUMB
2. ELEANOR RIGBY
INTRO. TO INSTRUMENTS
GRANADA1. KEYBOARDS
a. BLUE BOOK SONGS USING 2 HANDS AT THE SAME TIME
1). ODE TO JOY
2). JINGLE BELLS
2. VIOLIN
(small groups of students at a time)
a. Bowing on shoulder
b. Bowing on violin UH of bow
HILLVIEW
1. KEYBOARDS
a. BLUE BOOK SONGS USING 2 HANDS AT THE SAME TIME
(PRACTICE FOR MIN-RECITAL)
1). ODE TO JOY
2). JINGLE BELLS
2. BACH
a. Worksheet Answers Review
GRANADA BEG. STRINGS
1. CIELITO LINDO
2. IMAGINE
3. CIDER HOUSE RULES
2. IMAGINE
3. CIDER HOUSE RULES
HILLVIEW ORCHESTRA
1. ELEANOR RIGBY
2. ROCKY TOP
3. NUMB
1. ELEANOR RIGBY
2. ROCKY TOP
3. NUMB