"A musician cannot move others unless he too is moved. He must of necessity feel all of the
affects that he hopes to arouse in his audience, for the revealing of his own humor will stimulate
a like humor in the listener."
AUTHOR: Carl Philipp Emanuel Bach
“If the composer does not feel the music inside himself first
he can not convey those feelings to the audience through
his music.”
COMPOSER
HAYDN
Raul Dufy: Le Violin Rouge, 1848
 |
| Young Woman with a Violin by Orazio Gentileschi |
GENERAL MUSIC
01. MUSIC THEORY: IDENTIFYING LINE and SPACE NOTES
.......a. REVIEW OF WHAT A LINE and SPACE NOTE ARE
............1) WORKSHEET FOLLOW-UP: UNDER NOTES PLACE "L" FOR NOTES WHICH ARE LOCATED
ON LINES and "S" FOR NOTES WHICH ARE LOCATED ON SPACES
............2) IDENTIFYING LINE and SPACE NOTES BY NUMBER ON THE STAFF
..................a) USING THE HAND AS A MODEL WITH THE 5 FINGERS REPRESENTING THE 5 LINES and
........................IN BETWEEN THE FINGERS ARE THE 4 SPACES STUDENTS ARE TO IDENTIFY THE NUMBER
OF THE LINES and SPACES (COUNTING FROM THE BOTTOM UP)
........................1) PALM OF HAND FACES THE STUDENT'S FACE
........................2) PINKY FINGER IS LINE 1, RING FINGER IS LINE 2, POINTER FINGER IS LINE 3, THUMB
IS LINE 5
............3) IDENTIFYING LINE and SPACE NOTES FOR VISUAL ACCURACY AT FAST SPEEDS (EMPHASIS
ON FOCUSING SKILLS)
..................a) TEACHER POINTS TO A PARTICULAR SPACE LOCATION (USING THE HAND AS THE MUSIC
STAFF) and STUDENTS ARE TO WATCH INTENSIVELY AND SAY WHAT SPACE NUMBER IS
BEING POINTED TO ACCURACY and FOCUS
.........................1) TEACHER MOVES UP THE POINTING SPEED TO HELP STUDENTS LEARN VISUAL
.........................2) THE ACTIVITY IS PERFORMED FOR AN ELONGATED TIME TO TEACH VISUAL ENDURANCE
and FOCUSING FOR LONGER PERIODS OF TIME
............4) WORKSHEET FOLLOW-UP: STUDENTS IDENTIFY THE SPACE NOTES BY THEIR SPACE NUMBER
ON THE MUSIC STAFF
02. KEYBOARD (PREPARATION FOR CLASS RECITAL)
.......a. EXPECTATIONS OF SONG PERFORMANCE IS DISCUSSED
.......b. STUDENTS PRACTICED AT KEYBOARDS WITH TEACHER GUIDANCE AND HELP
01. MUSIC THEORY: IDENTIFYING LINE and SPACE NOTES
.......a. REVIEW OF WHAT A LINE and SPACE NOTE ARE
............1) WORKSHEET FOLLOW-UP: UNDER NOTES PLACE "L" FOR NOTES WHICH ARE LOCATED
ON LINES and "S" FOR NOTES WHICH ARE LOCATED ON SPACES
............2) IDENTIFYING LINE and SPACE NOTES BY NUMBER ON THE STAFF
..................a) USING THE HAND AS A MODEL WITH THE 5 FINGERS REPRESENTING THE 5 LINES and
........................IN BETWEEN THE FINGERS ARE THE 4 SPACES STUDENTS ARE TO IDENTIFY THE NUMBER
OF THE LINES and SPACES (COUNTING FROM THE BOTTOM UP)
........................1) PALM OF HAND FACES THE STUDENT'S FACE
........................2) PINKY FINGER IS LINE 1, RING FINGER IS LINE 2, POINTER FINGER IS LINE 3, THUMB
IS LINE 5
............3) IDENTIFYING LINE and SPACE NOTES FOR VISUAL ACCURACY AT FAST SPEEDS (EMPHASIS
ON FOCUSING SKILLS)
..................a) TEACHER POINTS TO A PARTICULAR SPACE LOCATION (USING THE HAND AS THE MUSIC
STAFF) and STUDENTS ARE TO WATCH INTENSIVELY AND SAY WHAT SPACE NUMBER IS
BEING POINTED TO ACCURACY and FOCUS
.........................1) TEACHER MOVES UP THE POINTING SPEED TO HELP STUDENTS LEARN VISUAL
.........................2) THE ACTIVITY IS PERFORMED FOR AN ELONGATED TIME TO TEACH VISUAL ENDURANCE
and FOCUSING FOR LONGER PERIODS OF TIME
............4) WORKSHEET FOLLOW-UP: STUDENTS IDENTIFY THE SPACE NOTES BY THEIR SPACE NUMBER
ON THE MUSIC STAFF
02. KEYBOARD (PREPARATION FOR CLASS RECITAL)
.......a. EXPECTATIONS OF SONG PERFORMANCE IS DISCUSSED
.......b. STUDENTS PRACTICED AT KEYBOARDS WITH TEACHER GUIDANCE AND HELP
ADV. STRINGS
01. ORANGE BLOSSOM SPECIAL
02. YOU'VE GOT A FRIEND IN ME
03. STAIRWAY TO HEAVEN
02. YOU'VE GOT A FRIEND IN ME
03. STAIRWAY TO HEAVEN
BEG. STRINGS
01. PIRATES OF THE CARIBBEAN (HARMONY) SIGHT READ
02. CABALITO
03. STAIRWAY TO HEAVEN
