Showing posts with label monochord. Show all posts
Showing posts with label monochord. Show all posts

Monday, March 14, 2016

MORE ON MONOCHORDS, PYTHAGORAS, and MUSIC

PYTHAGORAS and MUSIC PART 1
PYTHAGORAS and MUSIC PART 2
PYTHAGORAS IN MOTION
PYTHAGOREAN MONOCHORDS
HARMONIC OVERTONES
http://www.jazclass.aust.com/lessons/jt/jt09.htm

Thought for the Day:
The Basics of Sound;
The Overtone Scale
Leonard Bernstein Explains:
Harmonic Series I

THE OVERTONE SERIES
EXPLAINED BY DAVID BURT
https://www.youtube.com/watch?v=w2CA0w85Hfw

http://www.slideshare.net/cogleysclass/math-and-music
PYTHAGORAS MUSIC BASED ON
MATHEMATICAL CALCULATION

Pythagoras discovered that a monochord
(single tone) vibrates not only at its
fundamental frequency, but also in partial
segments – halves, thirds, fourths, etc., to
a theoretically infinite degree. The harmonic
series are the notes (or partials) that are
created when a fundamental note is struck.
It is the presence of these overtones that
creates tonal color, and that helps us to
differentiate the sounds of a harpsichord
and a piano, a trumpet and a trombone, or
one voice and another. Humans do not
perceive overtones much past the fifteenth
partial, because as overtones become
higher, they become increasingly difficult
to hear.

The music of the spheres:  the elegant and poetic idea that the revolution of
 the planets generates a celestial harmony of profound and transcendent be
auty

READ ABOUT PLATO and PYTHAGORAS:

by NPR STAFF
It sounds like something out of a Dan Brown
novel, but a scholar in Manchester, England,
claims to have found hidden code in the ancient
writings of Plato. If true, the secret messages
would have made the ancient philosopher and
mathematician a heretic in his day.
Inner%2BWorld
Jay Kennedy tells NPR's Guy Raz that his
discovery was partially luck. Looking at Plato's
works in their original scroll form, he noticed
that  every 12 lines there was a passage that
discussed  music. "The regularity of that
pattern was supposed to be noticed by
Plato's readers," Kennedy says.
Inner%2BWorld
Music in ancient Greece was based on a 12-note
scale, unlike the eight-note scale of modern
Western music. Kennedy posits that Plato
deliberately inserted discussions of music every
12 lines to send a secret, musical message.
Inner%2BWorld
What Plato couldn't tell people was that he was a
closet Pythagorean. Pythagoras and his followers
believed that mathematics and music were the
key to the universe.
Inner%2BWorld
"The Pythagoreans realized that when we hear
beauty and music, when we hear notes
harmonizing, that's because the notes have
simple ratios, like 1:2 or 3:4," Kennedy explains.
"So the beauty of music is direct perception of
the mathematical order underlying the world.
They worshipped that mathematics."
Inner%2BWorld
But the Pythagoreans were a persecuted sect,
Kennedy adds, sometimes violently persecuted.
"They were a threat to traditional religion, like
many new sects." Plato's own teacher, Socrates,
was famously executed for religious heresy. 
Inner%2BWorld
"Simply put, they were threatening to overthrow
the gods on Olympus and put numbers and
mathematics in its place. Prior to Socrates being
executed, a number of other philosophers were
banished or fled because of threats to themselves.
It was dangerous in those days to be a philosopher."
Inner%2BWorld
As far as Kennedy can tell, Plato's message was
one of solidarity simply by acknowledging the
relationship between music and mathematics,
but he suspects there's more to it. "Perhaps
some scholar will find that — in The Republic,
at least — that there is something like a melody
or a score embedded in the text," he says. 
Inner%2BWorld
If that's true, then we've read only half of Plato's
writings. "There are all these hidden layers of
meaning which will enrich our understanding of
Plato," Kennedy says. And maybe what else
Plato has to say could help us today. 
Inner%2BWorld
"Plato's philosophy shows us one way to combine
science and religion," Kennedy says. "The culture
wars we're having today — about evolution for
example — see science and religion as two
polarized opposites. Plato's hidden philosophy
shows us that he combined an emphasis on
mathematics with an emphasis upon beauty,
music, art and divinity. The founder of western
culture, in fact wanted us to combine science
and religion."

STRINGS: Monochord and Pythagoras: Why Music is Math

Monochord
WHY MUSIC IS MATH
On Pythagorean Theorem
https://www.youtube.com/watch?v=iEVGQKwKeCc#t=25
THESE ARE THE DIRECTIONS and EXPLANATIONS THAT CAME
WITH A MONOCHORD I BOUGHT:
MATH and HARMONIC FUNCTION
http://robertlennonmusic.wordpress.com/pythagoras
-and-the-music-of-the-future-part-ii-melody-harmony/
WHAT "Pi" SOUNDS LIKE
http://homepages.bw.edu/~hlewelle/pi_page.html
http://www.squidoo.com/pi-day-math-geeks-holiday
Pi Song Audio
"Mathematical PI"
(The PI Song)

Tuesday, August 18, 2015

SHORT HISTORY OF THE VIOLIN

SHORT HISTORY OF 
THE VIOLIN FAMILY
Gaudenzio Ferrari
INTRODUCTION TO
THE VIOLIN FAMILY
DEMONSTRATION OF
DEMONSTRATION OF
A EHRU
DEMONSTRATION OF
MEDIEVAL FIDDLES
Rachel Barton Pine plays early
string instruments for the first time: 
the medieval box fiddle, the medieval vielle,
and the renaissance (1500's-style) violin. 
David Douglass, artistic director of the King's
Noyse and the Newberry Consort  and
one of the foremost practitioners of
these instruments,  jams with her
on rebec and renaissance viola.
VIOLA DA GAMBA
The Viola da Gamba and the Cello:
Musical Cousins
BAROQUE VIOLIN
The Baroque Violin and the Modern Violin:
Similar, but very Different

Thursday, August 30, 2012

AUGUST 30-31, 2012 THURSDAY-FRIDAY,

QUOTE: 
“Think more of your own progress than of the opinion of others.”
AUTHOR: Felix Mendelssohn
MEANING OF THE QUOTE:
“In the end, what only matters is what you think of yourself.”





COMPOSER
CHOPIN

Fantasie-Impromptu Op. 66
Played by Horowitz 

a style of music roughly beginning in the Romantic Period written for a solo instrument, typically the piano, that is improvisational in sound. The music was written "off the cuff" so to speak and is loosely performed and interpreted. 

a composition free in form and inspiration, usually for an instrumental soloist

IMPROVISATION
the creative activity of spontaneous  ("in the moment") musical composition

CLASSIC: Something judged over a period of time (often lasting through generations) to be of the highest quality and outstanding. 


This is a modern version of Chopin's classic piece:

Judy Garland - "I'm Always Chasing Rainbows"


GENERAL MUSIC
01.   PROCEDURES
02.   "WHAT IS SILENCE" WORKSHEET CONTINUED (TO BE DISCUSSED LATER)
03a.  ECHO TECHNIQUE: "COME PLAY THE STICK GAME" REVIEW
03b.  ECHO TECHNIQUE:  TO A PULSE EACH STUDENT PERFORMS A 2-MEASURE 
          RHYTHMIC PATTERN AND THE CLASS ECHOS (IMPROVISATION)
04.    ELEMENTS OF MUSIC WE ARE ALL EXPERTS AT: BEAT, RHYTHM, PITCH
05.    LEARNING RULES ON HOW TO TAKE CARE OF THE RECORDER TO MUSIC  
          USING "PIGGY-BACK" LYRICS I WROTE TO THE FAMOUS 1967 POP TUNE: 






05.  USING "THE BEAT GOES ON" TUNE, INVESTIGATE THE "MUSICAL FORM" OF 
       THE PIECE BY UTILIZING A MATHEMATICAL COLORED GRAPH OF THE BEATS 
       WITH COLORS ARRANGED BY PATTERNS OF SOUNDS (MELODIC PATTERNS) 
       ALSO SHOWING HOW MUSIC IS MATH
  
ADV. STRINGS 
01.  PROCEDURES/RULES ON HOW TO TAKE INSTRUMENTS OUT OF CLOSET AND 
       PUT THEM BACK (PRACTICE)
02.  SET-UP STANDS AND PASS OUT MUSIC (SELECTION OF LIBRARIAN?)
03.  PLAYING IF TIME: 
.......a.  OPEN STRING BOWING AND ECHO BOWING 
.......b.  "HOE DOWN" REVIEW (FOR DOUBLE STOPPING AND SPICCATO BOWING)
.......c.  SIGHT READ THROUGH "ORANGE BLOSSOM SPECIAL"

BEG. STRINGS
01.   GO OVER RULES AND ANY QUESTIONS REGARDING THEM 
02a. SHORT HISTORY OF THE VIOLIN 



02b. INTRODUCTION TO THE VIOLIN FAMILY OF INSTRUMENTS

03a. DEMONSTRATION OF A MONOCHORD
03b. DEMONSTRATION OF A EHRU
03c. DEMONSTRATION OF A REBEC
03d. DEMONSTRATION OF VIELLE (http://stringtechnique.com/history/02.html)
04.   REVIEW VIOLIN PARTS and CARE OF INSTRUMENT