Monday, January 13, 2014

MONDAY, JANUARY 13, 2014

QUOTE:
"Of course I have used dissonance in my time, but
  there has been too much dissonance. Bach used
  dissonance as good salt for his music. Others
  applied pepper, seasoned the dishes more and more
  highly, till all healthy appetites were sick and until
  the music was nothing but pepper."
AUTHOR: Sergei Prokofiev
MEANING OF THE QUOTE:
"Dissonance in music (different sounds
 that do not blend pleasantly together)
 should be used like spices are used in
 food; overuse will spoil the product."











COMPOSER
RIMSKY-KORSAKOV
Portrait of Nikolai Rimsky-Korsakov by Valentin Serov
The Tsar's Bride Overture
from the opera of the same name
Tatyana Gorokhovskaya: Ivan the Terrible Choosing His Bride
Lois Rowell Karlsberger:
Overture to The Tsar's Bride

by Nicolai Rimsky-Korsakov
The overture from Rimsky-Korsakov's 1898
opera, The Tsar's Bride, attests to his orchestral
virtuosity and his affinity for dramatic subjects
rooted in Russian history and folklore. A member
of "The Mighty Five'' of Russian nationalistic
music, he was inspired by Mikhail Glinka's
Mikhail Glinka
opera, A Life 
for the Tsar (1836).
Characteristically, Rimsky
-Korsakov's operas display a wealth of color and
lyricism, an extensive use of folk melodies, and
a mastery of orchestral effects. Many of his
operas move in a fantasy world of romance
and legend. The Tsar's Bride, however, is
a tragedy, set during the reign of
Viktor Vasnetsov: Ivan the Terrible

Grigor loves Martha, fiancée of the

aristocrat Lykov. Grigor asks a magician
for a love potion; but the magician, compelled
by Grigor's former lover Liubacha, substitutes
a slow but effective poison, which Grigor
unwittingly gives Martha. Then, the Tsar
announces that he will take Martha as his
bride. She becomes Tsarina, but dies
mysteriously. When Liubacha confesses,
Grigor kills her, and he is arrested.
Ilya Yefimovich Repin: Russian Tsar Michael I choosing
his bride from an array of fair maidens in 1626









SUBSTITUTE TODAY
(I HAVE JURY DUTY) 
I left instructions for all classes complete watching the A&E video on Beethoven and take down and discuss in class important notes from the movie

Friday, January 10, 2014

FRIDAY, JANUARY 10, 2014

QUOTE:
"A man only becomes wise when he begins to
 calculate the approximate depth of his ignorance."
AUTHOR: Gian Carlo Menotti
MEANING OF THE QUOTE:
"A smart person knows he/she does not know
  everything; that there is always more to learn."








COMPOSER
RIMSKY-KORSAKOV

Mozart and Salieri Opera
Mozart and Salieri
The Complete Opera
Thaddeus Motyka, Director
Ainslee Cox and Henry Mollicone, Conductors
Chamber Opera Theatre of New York

Mozart and Salieri listen as a blind violinist plays.
Illustration to Pushkin's tragedy "Mozart and Salieri"
by Mikhail Vrubel
Salieri pours poison into a glass for Mozart.
Illustration to Pushkin's tragedy "Mozart and Salieri"
by Mikhail Vrubel
SUBSTITUTE TODAY
(I HAVE JURY DUTY)
I left instructions for all classes to watch A&E video on Beethoven and take down and discuss in class important notes from the movie

Thursday, January 9, 2014

QUARTERS and EIGHTHS: ALLEY CAT RHYTHMIC PERCUSSION LESSON


"ALLEY CAT SONG" LESSONS
BODY PERCUSSION SONG "ALLEY CAT"

Utilizes form and rhythms of quarter notes, quarter rests, and eighth notes in pairs. 
This lesson can be extended into many lessons to cover many of the musical elements.

PREPARATION:
SILENT COMMUNICATION 
FOLLOWING A CONDUCTOR

BODY PERCUSSION
PREPARATION: ECHO RHYTHMS 

Play the audio of "Alley Cat"and while listening investigate:

FORM and PATTERNS

Student Generated Chart of "ALLEY CAT"

PERFORMANCE #1
.....1.  GRAPHING CHART INFORMATION
..........a.  A mathematical graph of the beats that visually shows the musical form. 
...............1)  "ALLEY CAT" FORM: Intro/A/A/B/A/CODA   
..........b.  Each square represents one "heart beat" in the music. 
...............1)  Music is ever present at all times in our bodies
..........c.  Compare FORM in music to: 
...............1)  Form in writing 
...............2)  A "sandwich" 2 pieces of bread (INTRO and CODA) with cheese and turkey in between
...............3)  Other things that have form (any other ideas?)
..........d.  Look for the colors to form many types of mathematical patterns (sometimes patterns within patterns).
...............1)  These visual patterns can also be heard (and quickly memorized) easily by the ear as patterns of sound.
.....2.  PERFORMANCE INFORMATION USING THE ALLEY CAT GRAPH CHART
..........a.  Each color is a different body percussion movement.
..........b.  Students to play with help of the teacher but then be able to follow the chart without that help.
...............1)  Students learn to track with their own eyes and listen to the patterns of sound on their own.


PERCUSSION INSTRUMENTS
PERFORMANCE #2
USING THE ALLEY CAT GRAPH CHART
REVIEW PERCUSSION INSTRUMENTS: NAMES and HOW THEY ARE PLAYED
.....1.  Exchange body percussion to instruments 
..........a.  Blue is any choice
..........b.  Wood sounds play the color yellow (A SECTION)  
..........c.  Scraper and shakers play pink (B SECTION)
.....2.  Students play with and without the help of teacher tracking
.....3.  Students exchange instruments and play different parts


SIMPLE RHYTHMIC NOTATION
QUARTER and EIGHTH RHYTHMIC PATTERNS INTRODUCTION


Student Generated Chart of "ALLEY CAT" RHYTHMS




ALLEY CAT RHYTHMIC CHART WITH QUARTER and EIGHTHS 
INTRO. TO BASIC RHYTHMS and their notation
.....1.  What is a quarter note?
..........a.  Generally the "heart beat" in music is called the quarter beat or "quarter note"
..........b.  An easy way to produce it is by the tap of a foot, a patsch on the leg, a clap of a hand, or a snap of a finger
..........c.  Verbally, there are many ways to produce it; an easy way is by saying (or thinking) the sound of "TAH"
.....2.  Is all sound music?
.....3.  What is silence? What is one of its function in music?
..........a.  Silence organizes sound into patterns; without silence the sound continues on without stopping like a drone.
..........b.  Silence in music is called a REST
..........c.  There is a relative REST for every type of played rhythmic note in music
.....4.  The length of sounds and silences can be musically notated using specific musical symbols based on fractions
.....5.  Eighth notes
..........a.  Splitting quarter notes in half produces a sound that is twice as fast
..........b.  Two eighth notes equal one quarter beat

PERFORMANCE #3
What is the difference between watching and focusing? 
(Review sitting still and having the eyes in focus BEFORE the music starts with "a moment of SILENCE") 
.....1.  Review note values and rhythm reading; how to perform a rest (which should be felt but not heard) 
.....2.  Perform using body percussion (any hand) while counting out loud in order to prevent "daydreaming" (losing focus) 
.....3.  Teacher will first point to help students track then have students focus without the help.

LEFT VS RIGHT
PERFORMANCE #4
Brain: Left Side/ Right Side and What It Has to Do With Music
.....1.  Explained that are bodies are "cross-circuited"
..........a.  Right side of the brain controls the left side and vice-versa
.....2.  Most everyone favors one side of the brain over the other that is why some people write with their right hand and some 
           with their left
..........a.  Few people can write equally well using right and left hands
..........b.  Equal use of both hands is called being "ambidextrous"
..........c.  In terms of certain skills controlled by one side of the brain, the other side is under developed
...............1)  To illustrate this point: print and write in cursive your name with the normal hand and then try the other
.....3.  What makes music unique compared to some other art forms is that most musicians need equal use of both hands in 
          order to create their art.
..........a.  An art teacher would probably not ask the student to draw using the weak hand, either would the English teacher 
               ask the student to hand write an essay using the weak hand; but in music the playing of most instruments requires 
               it.
.....4.  As the exercise in writing your name with the weak hand illustrates, the brain is trying extremely hard to send the 
          message to move the fingers, but the fingers cannot respond quickly (like the fingers on the strong hand does) 
..........a.  Frustration results when the brain knows how to do something but the muscles cannot respond at the same rate of 
               speed; this is the experience all musicians go through during music training (especially beginners).
..........b.  Actually this "frustration" is the brain expanding its capabilities (sort-of like the muscles aching when exercising 
               them; trying to build them up).
..........c.  Frustration thus is a good thing and all muscians experience this when learning something new.
.....5.  Playing music, learning to use both hands equally, forces the under-developed side of the brain to be used and thus 
          people who do this utilize more of their brain capacity
..........a.  I like to say, "Playing music makes a person smarter; the more of the brain you use the smarter you become."
.....6. Go over directions: why certain notes are colored red and some colored black (red notes and black notes have stems in 
          different directions as well)

Review
.....1.  The different colors indicated the use of right and left hands used to perform the rhythms in this body percussion 
           exercise.
.....2.  Using the left and right hands (not always in patterns) demonstrates the use of the right and left brain activity as 
           discussed earlier.
..........a.  Students will feel frustration or their brains' expanding as they perform this piece; especially when left-right 
               patterns are deliberately changed often near the end.
..........b.  As the brain functions by patterns, it rebels when new patterns are suddenly introduced to it.
..........c.   Forcing the brain to learn new patterns also expands the abilities of the brain's function.
.....3.  This exercise demonstrates the technique that a drummer (snare drummer) must go through when playing.
..........a.  Profession drummers plan their "sticking" (which hand plays which note at any given time) before practicing any 
               given piece. (Sticking is not random.)
.....4.  Since the performance of this is only rhythmic (no melody playing by the performer) in the beginning of the learning 
          process the ear cannot easily help out the eyes should the eyes get lost; so focus and concentration is more difficult in 
          drumming then on a melody instrument
.....5.  Perform with body percussion (BP) using a different color for each hand while counting out loud (best to say either 
           "left" or "right" in order to prevent getting the hands confused) for good focus. 
..........a.  Can perform this piece using percussion instruments instead of body percussion (BP).

ORCHESTRATION/PERCUSSION INSTRUMENTS
PERFORMANCE #5
Using the colored note chart: ALLEY CAT RHYTHMIC CHART (not the graphing chart)
.....1.  Pass out various percussion instruments (selection can vary/review each instrument briefly) : 
..........a.  slapstick
..........b.  tambourine
..........c.  cabasa
..........d.  guiro
..........e.  spoons
..........f.   claves 
..........g.  woodblock
..........h.  ratchet  
..........i.  maracas
..........j.  triangles
.....2.  Class discusses which instruments to use on specific notes and why (TERM: ORCHESTRATION) 
..........a.  Discussion of contrast between different sound colors or TIMBRES (like visual colors in art)
...............1)  Which instruments "shake" or "scrape" 
...............2)  Which instruments have metal sound qualities, wood sounds, etc.
..........b.  Discussion on how long each instrument can vibrate and how that determines the placement of the sound.
.....3.  Class/teacher determines which instruments to place on each color and/or symbol.
.....4.  Assign different instruments for red and black notes.  
..........a.  Colored "X" symbols are also added for use of the triangles.
.....5.  Review how to follow a conductor's silent cues (signals) and how to start and end together.

FOCUS
PERFORMANCE #6
Review PERFORMANCE #2 using "Uncolored" notes.  
.....1.  Stems on the notes will either be "up" to the right indicating the use of the "right" hand or stems "down" to the left 
           indicating the use of the "left" hand.  
..........a.  Please note the difficulty the eyes have staying focused.  Even though the concept of note reading may seem very 
               understandable the actual visual (physical) part can often be exhausting.



http://www.mediafire.com/download/al6123zglokalud/Alley+Cat+and+Chicken+Fat+v1.mp3

THURSDAY, JANUARY 9, 2014

QUOTE:
"Nothing right can be accomplished
  in art without enthusiasm."
AUTHOR: Robert Schumann
MEANING OF THE QUOTE:
"Art starts out in the artists soul inwardly.
 The art can not be expressed outwardly
 without the willingness of the artist
 to work hard."






COMPOSER
RIMSKY-KORSAKOV

RIMSKY-KORSAKOV Sheherazade Op.35
http://www.momh.org.uk/exhibitions-detail-photo.php?cat_id=1&prod_id=75&type=main&id=75

Scheherazade by Bakst
Scheherazade Op. 35




"Scheherazade"

LYRICS TO A POP SONG PERFORMED BY MADONNA

He was the sultan of Samarcand
He had a harem of dancing girls at his command
He owned all the eye could see
Something was wrong, he wasn't happy

And then it happened much to his surprise
The loveliest woman he'd ever seen
He asked her name and she replied

[Madonna:] Scheherazade

She was the daughter of the grand vizier 
A real beauty with a heart of gold, she was so sincere 
She made a date with destiny 
Marry the king, make him happy



He was enchanted on their wedding night 
Just a captive under her spell 
Spending a thousand and one Arabian nights

[Madonna:] Scheherazade

All of his body tingled with delight 
Hearing the stories she loved to tell 
She was a vision, such a lovely sight

[Madonna:] Scheherazade

He made a promise on the morning star 
He would change, throw away his scimitar 
So she came to stay 
And that's the way the story goes 
Until this very day

[Madonna:] Scheherazade

He was enchanted on their wedding night 
Just a captive under her spell 
Spending a thousand and one Arabian nights

[Madonna:] Scheherazade

All of his body tingled with delight 
Hearing the stories she loved to tell 
She was a vision, such a lovely sight

[Madonna:] Scheherazade

http://www.azlyrics.com/lyrics/madonna/scheherazade.html
Sheherazade by Rene Magritte

The story of Scheherazade was also placed into music as a song cycle (and later as an orchestral version) by the famous French composer Maurice Ravel:
Ravel's 'ShĂ©hĂ©razade, ouverture de fĂ©erie,' written in 1898 but unpublished, 
is a work for orchestra intended as the overture for an opera of the same name. 
It was first performed at a concert of the SociĂ©tĂ© Nationale on 27 May 1899. 

Scheherazade is the young bride of the Sultan. After one of his wives cheats on him, he decides to take a new wife every day and have her executed the next morning. But it all stops with Scheherazade. She marries the Sultan in order to save all future young women from this fate. She tells the Sultan fascinating stories, leaving him in such suspense each night that he can't execute her the next morning for fear of not hearing the end of the story. After 1,001 of these well-told tales, the Sultan relents.  http://www.npr.org/templates/story/story.php?storyId=10139009

LINKS

GRANADA ADV. STRINGS
1.  Warm-Up:  D Major Scale
2.  Boulevard of Broken Dreams

INTRO. TO INSTRUMENT
GRANADA
1.  Rules and Procedures
2.  "What Is Silence?" Worksheet
3.  "Let's Play the Stick Game"
a.  Echo Clapping/Percussion Instruments
b.  Practiced to achieve the silence inbetween the sounds

HILLVIEW
1.  Rules and Procedures
2.  "What Is Silence" Worksheet
3.  "ALLEY CAT" (Musical Form)
a.  ABA form explanation
b.  Music and Math

GRANADA BEG. STRINGS
1.  Warm-Up:  SHIFTING
a.  Major scale ascending (up) on each string
b.  0 1-1-1-1-1-1-1
2.  Bile Em' Cabbages

HILLVIEW ORCHESTRA
1.  Warm-Up:  D Major Scale
2.  Rocky Top

Wednesday, January 8, 2014

WEDNESDAY, JANUARY 8, 2014

QUOTE:
“Musical comedies aren't written, they are rewritten.”
AUTHOR: Stephen Sondheim
MEANING OF THE QUOTE:
“No art is created perfectly the first time.”









COMPOSER 

RIMSKY-KORSAKOV
Christmas Eve 
Orchestral Suite
(1895)

I. Christmas Night 
II. Ballet of the Stars 
III. Witches' Sabbath and Ride on the Devil's Back 
IV. Polonaise 
V. Vakula and the Slippers
In Gogol’s story, Vakula, the blacksmith, is the son of the witch
 Solokha (pictured above). More than anything he wishes to win
 over the affections of Oksana, the beautiful daughter of
 a Cossack named Choub.
Sergey Alexandrovich Alimov: The Witch Solokha
Stage Design for Gogol’s play Christmas Eve, 2004
Although made into a suite, "Christmas Eve"
("Noch' pered Rozhdestvom), was originally
an opera Rimsky-Korsakov composed in 4 acts
with a libretto written by himself in 1894-1895 and
based on a short story of the same title, 

Night Before Christmas Story
(Christmas Eve)
By Nicolay Gogol
Music by Nicolai Rimsky-Korsakov
(English Subtitles)

by Nikolay Gogol's
Nikolay Gogol
 "Evenings on a Farm Near Dikanka."
The same story also formed the basis of
Tchaikovsky's operas "Vakula the Smith" and "Cherevichki."

GRANADA ADV. STRINGS
1.  Warm-Up:  D Major Scale
2.  Rocky Top

INTRO. TO INSTRUMENT
1.  Rules and Procedures
2.  "What Is Silence" Worksheet
3.  "Let's Play the Stick Game"
a.  Echo Clapping/Percussion Instruments
b.  Practiced to achieve the silence inbetween the sounds

GRANADA BEG. STRINGS
1.  Warm-Up:  Open string Bowing
a.  Open string one octave scales (GM, DM, AM)
b.  Bow Proportions: to rhythm "Straw-ber-ry"
2.  Twinkle
a.  Memorized

HILLVIEW ORCHESTRA
1.  Warm-Up:  D Major Scale
2.  Boulevard of Broken Dreams