Thursday, January 8, 2015

THURSDAY, JANUARY 8, 2015

QUOTE:
"Nothing right can be accomplished
  in art without enthusiasm."
AUTHOR: Robert Schumann
MEANING OF THE QUOTE:
"Art starts out in the artists soul inwardly.
 The art can not be expressed outwardly
 without the willingness of the artist
 to work hard."






COMPOSER
RIMSKY-KORSAKOV
RIMSKY-KORSAKOV Sheherazade Op.35
http://www.momh.org.uk/exhibitions-detail-photo.php?cat_id=1&prod_id=75&type=main&id=75
Leon Bakst: Scheherazade
Scheherazade Op. 35
Valery Gergiev, Conductor
Vienna Phiharmonic
Salzburg Festival, 2005

https://www.youtube.com/watch?v=SQNymNaTr-Y

http://en.wikipedia.org/wiki/Scheherazade_(Rimsky-Korsakov)
Leon Bakst: Set Design for Scheherazade, 1910
Scheherazade is in four separate sections:
Scheherazade Op. 35
1: "The Sea and Sinbad's Ship"
Fritz Reiner, Conductor
Chicago Symphony Orchestra
Scheherazade Op. 35
2: "The Kalendar Prince"
Fritz Reiner, Conductor
Chicago Symphony Orchestra
Scheherazade Op. 35
3: "The Young Prince and Young Princess"
Fritz Reiner, Conductor
Chicago Symphony Orchestra
Scheherazade Op. 35
4: "Festival At Baghdad"
"The Sea"
"The Ship Breaks Against A Cliff
Surmounted By A Bronze Horseman"
Fritz Reiner, Conductor
Chicago Symphony Orchestra
Rimsky-Korsakov was very sparse in his
explanation of the movements and the
tales depicted. In later editions of the 
work he did away with even the titles of
the movements, expressing his hope
that the listener would hear the music
as Oriental-themed work that evoked
the sense of a fairy tale adventure.
Dulac: Princess Scheherazade
Chanson Arabe
Fritz Kreisler, Violin
(Arranged for Violin from
Rimsky-Korsakov's Scheherazade)


Sheerazade Calyph , Concubine Art Deco by Erte
Erte: Calyph's Concubine
Scheherazade
Peter Cetera
Featuring Madonna
SONG LYRICS
He was the sultan of Samarcand
He had a harem of dancing girls at his command
He owned all the eye could see
Something was wrong, he wasn't happy

And then it happened much to his surprise
The loveliest woman he'd ever seen
He asked her name and she replied
She was the daughter of the grand vizier 
A real beauty with a heart of gold, she was so sincere 
She made a date with destiny 
Marry the king, make him happy

He was enchanted on their wedding night 
Just a captive under her spell 
Spending a thousand and one Arabian nights
Scheherazade
Erte: Scheherazade Suite I
One Thousand and Second Night
All of his body tingled with delight 
Hearing the stories she loved to tell 
She was a vision, such a lovely sight
Scheherazade
He made a promise on the morning star 
He would change, throw away his scimitar 
So she came to stay 
And that's the way the story goes 
Until this very day
Scheherazade
He was enchanted on their wedding night 
Just a captive under her spell 
Spending a thousand and one Arabian nights
Scheherazade
Erte: Scheherazade Suite II
Beauty of Bahgdad
All of his body tingled with delight 
Hearing the stories she loved to tell 
She was a vision, such a lovely sight
Rene Magritte: Sheherazade
The story of Scheherazade was
also placed into music as a song
cycle (and later as an orchestral
version) by the famous French
composer Maurice Ravel:
Maurice Ravel

Shéhérazade,
Ouverture de Féerie
By Maurice Ravel 
(1 of 2)
Chagall: Scheherazade
Shéhérazade,
Ouverture de Féerie
By Maurice Ravel
(2 of 2)
Ravel's 'Shéhérazade, ouverture de féerie,'
written in 1898 but unpublished, is a work
for orchestra intended as the overture for
an opera of the same name. It was first
performed at a concert of the Société
Nationale on 27 May 1899.
Scheherazade
Virginia Frances Sterrett: Painting of Scheherazade, 1928
Scheherazade is the young bride of the Sultan.
After one of his wives cheats on him, he
decides to take a new wife every day and
have her executed the next morning. But it all
stops with Scheherazade. She marries the
Sultan in order to save all future young women
from this fate. She tells the Sultan fascinating
stories, leaving him in such suspense each
night that he can't execute her the next morning
for fear of not hearing the end of the story. After
1,001 of these well-told tales, the Sultan relents.

(This story is based on tales taken from
One Thousand and One Nights, an
Arabian compilation of ancient Middle-
Eastern, Asian, and African folk stories.)
Alberto Vargas: Scheherazade
LINKS

Wednesday, January 7, 2015

WEDNESDAY, JANUARY 7, 2015

QUOTE:
“Musical comedies aren't written, they are rewritten.”
AUTHOR: Stephen Sondheim
MEANING OF THE QUOTE:
“No art is created perfectly the first time.”









COMPOSER 

RIMSKY-KORSAKOV

Christmas Eve
Orchestral Suite
(1895)

I. Christmas Night
II. Ballet of the Stars 
III. Witches' Sabbath and Ride on the Devil's Back
IV. Polonaise 
V. Vakula and the Slippers
In Gogol’s story, Vakula, the blacksmith, is the son of the witch
 Solokha (pictured above). More than anything he wishes to win
 over the affections of Oksana, the beautiful daughter of
 a Cossack named Choub.
Sergey Alexandrovich Alimov: The Witch Solokha
Stage Design for Gogol’s play Christmas Eve, 2004
Although made into a suite, "Christmas Eve"
("Noch' pered Rozhdestvom), was originally
an opera Rimsky-Korsakov composed in 4 acts
with a libretto written by himself in 1894-1895 and
based on a short story of the same title, 

Night Before Christmas Story
(Christmas Eve)
By Nicolay Gogol
Music by Nicolai Rimsky-Korsakov
(English Subtitles)

by Nikolai Gogol's
Nikolay Gogol

 "Evenings on a Farm Near Dikanka."
The same story also formed the basis of
Tchaikovsky's operas "Vakula the Smith" and
"Cherevichki."

Tuesday, January 6, 2015

TUESDAY, JANUARY 6, 2015

QUOTE:
“To listen is an effort, and just to hear is no merit.
  A duck hears also.”
AUTHOR: Igor Stravinsky
MEANING OF THE QUOTE:
“Listening and hearing are not the same.
 Anyone with healthy ears can hear.
 It  takes brains to listen."









COMPOSER
RIMSKY-KORSAKOV

(I, II, III)
Roselín Pabón, Conductor
Orquesta Sinfónica de Puerto Rico

(IV, V)
Roselín Pabón, Conductor
Orquesta Sinfónica de Puerto Rico


A capriccio or caprice (sometimes plural:
caprices, capri or, in Italian, capricci), is
a piece of music, usually fairly free in
form and of a lively character. The
typical capriccio is one that is fast,
intense, and often virtuosic in nature.

Capriccio Espagnol Op. 34
Leonard Bernstein, Conductor 
New York Philharmonic Orchestra
(With Pictures of Spain)
I. Alborada (Vivo e Strepitoso) 00:12
An alborada was an instrumental piece played

by shepherds at daybreak, usually on a bagpipe
accompanied by a tambourine or other
percussion instrument.
II. Variazioni (Andante con Moto) 01:31

This a set of variations on a song that was originally

humorous and harsh, though Rimsky-Korsakov
opted for a slower, sweeter, warmer setting of it.
III. Alborada # 2 (Vivo e Strepitoso) 06:19

This little interlude is identical to the first

movement, except that it has swapped
around the instruments a bit and is in
a different key signature.
IV. Scena e Canto Gitano (Allegretto) 07:36

Operatic in character, its source was a Roma-gypsy song
based on a strange scale that gives the music an
exotic color. Rimsky-Korsakov’s setting is novel
and evocative in both form and orchestration.

V. Fandango Asturiano 12:08
A fandango is a Roma-style courtship dance usually

played on a guitar accompanied by castanets.
Capriccio espagnol is written in
five linked movements, (the first

three and last two are played
without breaks so the piece
comprises two big sections)
each one based on Spanish
themes. The score begins with
an alborada, which comes back
in the middle and returns at the
very end (after a recalling of the
fourth movement's "Roma" song)
during the whirling coda, complete
with castanets, to ensure a finale
which ends the work as brightly
as it began.

Rimsky-Korsakov was considered a master 

of orchestration (which is the art of using and
combining instruments in a musical work)
with his deep knowledge of the characteristics
and capabilities of different instruments. The
Capriccio makes use of various percussion
instruments to add a Spanish flavor to this
piece: timpani, castanets, triangle,
tambourine, cymbals, snare drum, and
bass drum. 
Rimsky-Korsakov noted in his autobiography:
"According to my plan, the Capriccio was to
glitter with dazzling orchestral color, and
clearly I was not mistaken." 
He added that he did not devise the scoring
as an afterthought to its melodic and harmonic
invention, as composers often do. Instead, he
conceived this facet of the work as an integral
part of the presentation and development of its
melodies.  He asserted, 
"the very essence of the composition,
and not its garb or orchestration."
Listen to how these percussion instruments
add to the bright sound of the orchestra and
make this piece sound like a celebration.
Gail C. Boyajian: Capriccio
LINKS

Monday, January 5, 2015

MONDAY, JANUARY 5, 2015

QUOTE:
“Everyone is born with genius, but most
  people only keep it a few minutes.”
AUTHOR: Edgard Varese
MEANING OF THE QUOTE:
“We all have a special talent at something but
  most people don’t spend the time exploring it."






COMPOSER
RIMSKY-KORSAKOV

Russian Easter Festival Overture Op. 36
Leopold Stokowsky, Conductor
Part I


Russian Easter Festival Overture Op. 36
Leopold Stokowsky, Conductor
Part II

Mikhail ShankovEaster, 2005