"Music isn't just learning notes and playing them,
you learn notes to play to the music of your soul."
AUTHOR: Katie Greenwood
MEANING OF THE QUOTE:
"There is no music in notes alone. It is the human,
emotional element that makes notes into music."
COMPOSER
ROSSINI
http://www.omifacsimiles.com/brochures/rossini.html |
http://www.musicwithease.com/rossini-pictures.html |
http://escenografia.com/the-barber-of-seville/ |
THE BARBER OF SEVILLE
Figaro's Aria: "Largo al factotum"
http://www.8notes.com/scores/16714.asp |
http://www.operasiempre.es/tag/largo-al-factotum/
http://www.wetcanvas.com/forums/showthread.php?t=335483 |
Figaro's Aria: "Largo al factotum"
Dmitri Hvorostovsky, Baritone
Charles Dutoit, Conductor
Orchestre symphonique de Montreal, 1998
http://tothotornot.com/2013/07/the-barber-of-seville-by-oz-opera-giveaway/ |
Claudio Abbado, Conductor
London Symphony Orchestra, 1972
José Jiménez Aranda: The Barber on Monday, 1875 |
from two earlier Rossini operas, Aureliano
in Palmira and Elisabetta, regina d'Inghilterra
and thus contains none of the thematic material
in The Barber of Seville Opera itself.
http://en.wikipedia.org/wiki/The_Barber_of_Seville
Barber of Seville Overture - theme 1 |
Barber of Seville Overture - theme 2 |
Barber of Seville Overture - theme 3 |
LISTENING MAP
TO THE OVERTURE
http://2esomusicogramas.blogspot.com/2012/0 2/el-barbero-de-sevilla-gioachino-rossini.html |
The shaving, scene from The Barber of Seville, 1816 |
THE STORY OF
THE BARBER OF SEVILLE
TOLD IN CARTOON FORMAT
http://comicsuk.co.uk/forum/viewtopic.php?f=127&t=5268&start=30
http://lyricoperamedia.s3.amazonaws.com/_media/13-14-Discovery/
LOC_DiscoveryPC_2014_Barber_320k_mixdown.mp3
https://archive.org/details/storiesfromopera03daviuoft
LOC_DiscoveryPC_2014_Barber_320k_mixdown.mp3
https://archive.org/details/storiesfromopera03daviuoft
THE STORY OF
THE BARBER OF SEVILLE
AT A GLANCE
http://gallica.bnf.fr/ark:/12148/btv1b8436743x |
ROSINA:
Young,Wealthy Woman from Seville
Ward of Doctor Bartolo
Has a Sizable Dowry
Smitten with Lindero
(mezzo-soprano)
Young,Wealthy Woman from Seville
Ward of Doctor Bartolo
Has a Sizable Dowry
Smitten with Lindero
(mezzo-soprano)
DON BASILIO:
Rosina's Music Teacher
Takes Bribes to Pass Along Secrets
Doctor Bartolo's Accomplice
A Hypocrite
(bass)
Rosina's Music Teacher
Takes Bribes to Pass Along Secrets
Doctor Bartolo's Accomplice
A Hypocrite
(bass)
FIORELLO:
Servant of Count Almaviva
(baritone)
Servant of Count Almaviva
(baritone)
AMBROSIO:
Servant to Bartolo
(bass)
AN OFFICER:Servant to Bartolo
(bass)
(bass)
A NOTARY:
(silent role)
(silent role)
CHORUS:
musicians
soldiers
musicians
soldiers
From: Dr. Opera
Presented by Lyric Opera and The Second City
Session 3: The Barber of Seville
https://www.youtube.com/watch?v=q416D8XQleg&t=21
The Barber of Seville, or The Futile
http://theartoftam.blogspot.com/2014/01/opera-posters.html |
Precaution (Il barbiere di Siviglia,
Rossini |
with a libretto by
The libretto was based on
comedy Le Barbier de Séville (1775),
which was originally an opéra comique,
or a mixture of spoken play with music.
THE BARBER OF SEVILLE
OPERA
Complete
Complete
Conductor: Martin Mazik
Director: Herbert Kellner
OPERA PLOT OUTLINE
BY ACTS
Lindor's letter, illustration from "The Barber of Seville" |
Beaumarchais |
and THE BARBER of SEVILLE
http://www.mccarter.org/figaroplays /3-explore/historictimeline.html |
Born in 1732, Pierre-Augustin Beaumarchais
was, like his character Figaro, a person who
enjoyed many different professions during
his life. He was a watchmaker, an instructor
of harp, a judge, a diplomat and even, at one
point, a spy. He was also a man of contradiction,
was, like his character Figaro, a person who
enjoyed many different professions during
his life. He was a watchmaker, an instructor
of harp, a judge, a diplomat and even, at one
point, a spy. He was also a man of contradiction,
having at one time purchased a noble title but
at another time aligning himself with rebels
involved in both the American and French
revolutions and furnishing arms to them.
Above all, however, he was a writer for
the stage, his first theatrical efforts being
produced when he was 25 years old.
The Barber of Seville (Le barbier de Séville) was
the first in a cycle of three plays, all featuring
the same characters whom we watch grow
older and deal with different situations in their
lives. These characters are Count Almaviva,
http://www.larousse.fr/encyclopedie/ images/Gioacchino_Rossini_le_Barbier_de _S%C3%A9ville__le_comte_Almaviva/1312435 |
the lovely Rosina
http://www.magnoliabox.com/tag/beaumarchais |
who is the object of his
affections, and his
servant Figaro.
Figaro |
In the first play Almaviva
outwits the old
Doctor Bartolo
http://www.larousse.fr/encyclopedie/images/Bartholo _dans_le_Barbier_de_S%C3%A9ville/1008500 |
in order to marry the
doctor's ward,
Rosina,
http://www.larousse.fr/encyclopedie/ images/Gioacchino _Rossini_le_Barbier_de_S%C3% A9ville__Rosine/1312438 |
all the while helped by
the machinations
of his barber Figaro.
http://www.stampdata.com/stamp.php?id=44479 |
In the second play,
they’re a few years older.
It is now the servant Figaro
Figaro, valet to Count Almaviva, from 'The Marriage of Figaro |
who outwits his aristocratic master.
Figaro has to protect his
new young bride Susanna
Suzanne in "The Marriage of Figaro" |
from the Count who desires her.
At the same time he tries to preserve
the Count’s marriage to Rosina,
who is now, of course,
the Countess Almaviva.
Rosina, Countess Almaviva |
The third play, rarely revived these days, is
and involves the illegitimate children of the Count
and Countess, the potential loss of their fortune
and, again, the last minute redemption of his
employers by Figaro’s wit and wisdom. (French
composer Darius Milhaud’s La mere coupable,
based on this last play in the trilogy, premiered
in Geneva in 1966).
http://pixgood.com/the-barber-of-seville-title.html |
THE STORY OF
THE BARBER OF SEVILLE
Taking place in Seville, Spain
THE BARBER OF SEVILLE
Taking place in Seville, Spain
http://www.laopera.org/tickets/Barber-of-Seville-Family/ |
during the 17th Century,
the plot involves a Spanish
the plot involves a Spanish
count (Almaviva),
To ensure that she really loves
him and not just his money, the
Count disguises himself
as a poor college student
named Lindor,
and attempts to woo her.
His plans are foiled by Rosina's
guardian, Doctor Bartholo,
who keeps her locked up
in his house and intends to
in his house and intends to
marry her himself.
Bartolo and Rosina |
The Count's luck changes,
however, after a chance reunion
with an ex-servant of his,
Figaro,
who is currently working as
a barber and therefore has access
to the Doctor's home.
Set Design of Doctor Bartolo's House |
After being promised money, and
afraid the Count will seek revenge on
him if he refuses, Figaro devises
a variety of ways for the Count
and Rosina to meet and talk,
first as Lindor, then as Alonzo,
a fellow student of the same
The story culminates in the marriage
of the Count and Rosina.
With Violin Sheet Music
Alfred Scholz, Conductor
Philharmonia Slavonica
http://www.laprimaweb.it/2009/12/10/il-barbiere-di-siviglia-fermo-11-e-13-dicembre-2009/ |
THE BARBER OF SEVILLE
OVERTURE
Acapella Format
The King's Singers
http://southfloridaclassicalreview.com/2012/08/baritone-martinez-lights-up-miami-lyric-operas-barber-of-seville/ |
WOODY WOODPECKER
http://en.wikipedia.org/wiki/The_Barber_of_Seville_(1944_film)
http://arts.umich.edu/ink/author/sarah-ogar/page/2/ |
THE RABBIT OF SEVILLE:
BUGS BUNNY
http://www.icollector.com/Bugs-Bunny-as-Barber -of-Seville-original-Virgil-Ross-drawing_i10498753 |
http://www.thelittlechimpsociety.com/2012/12/kevin -hauff-radio-times-christmas-edition-barber-of-seville/ |
TOM AND JERRY
THE CAT ABOVE AND
THE MOUSE BELOW
http://www.lamedusa.it/lista_libri.php?_cat=4 |
THE BARBER OF SEVILLE
FOR CHILDREN:
Opera Vox
(BBC 1994)
Gareth Jones, Conductor
Henry Walton: John Palmer as Count Almaviva in "The Spanish Barber" |
LINKS
LESSON PLANS
LESSON PLANS
http://www.laopera.org/DocumentsLAO/education/lessons/
The%20Barber%20of%20Seville%20-%20Who%20is%20He.pdf
The%20Barber%20of%20Seville%20-%20Who%20is%20He.pdf
http://www.lyricopera.org/uploadedFiles/Education/Children_and_Teens
/2013-14%20OIN%20Backstage%20Pass%20-%20teacher%20edition.pdf
http://www.delawaresymphony.org/guides/Barber%20of%20Seville%20Overture.pdf
http://sfopera.com/Learn/Teacher-Resources/Classroom-Materials/Barber.aspx
http://sfopera.com/SanFranciscoOpera/media/SiteAssets/Guild/Barber2013.pdf
https://rosieglowwellness.files.wordpress.com/2013/11/2010-11-barber-script-readers-theater.pdf
http://www.manitobaopera.mb.ca/learn/documents/TheBarberofSevilleStudyGuideNov.6.pdf
http://www.portfoliodesignproject.org/perez-y3-g5-end
http://www.oldopera.swissdesigngroup.com/media/
Tab-Learn/Study_Guides/SG_Barber_of_Seville.pdf
http://pbopera.org/wp-content/uploads/2010/12/PBO-Barber-Study-Guide.pdf
2010-11-barber-script-readers-theater.pdf
/2013-14%20OIN%20Backstage%20Pass%20-%20teacher%20edition.pdf
http://www.delawaresymphony.org/guides/Barber%20of%20Seville%20Overture.pdf
http://sfopera.com/Learn/Teacher-Resources/Classroom-Materials/Barber.aspx
http://sfopera.com/SanFranciscoOpera/media/SiteAssets/Guild/Barber2013.pdf
https://rosieglowwellness.files.wordpress.com/2013/11/2010-11-barber-script-readers-theater.pdf
http://www.manitobaopera.mb.ca/learn/documents/TheBarberofSevilleStudyGuideNov.6.pdf
http://www.portfoliodesignproject.org/perez-y3-g5-end
http://www.oldopera.swissdesigngroup.com/media/
Tab-Learn/Study_Guides/SG_Barber_of_Seville.pdf
http://pbopera.org/wp-content/uploads/2010/12/PBO-Barber-Study-Guide.pdf
Leonardo Alenza: Majas Celestina y en el balcón, 1840 |
BARBER OF SEVILLE
READER'S THEATER SCRIPT
LYRIC OPERA OF CHICAGO
https://rosieglowwellness.files.wordpress.com/2013/11/2010-11-barber-script-readers-theater.pdf
LINKS
MUSIC and LIBRETTO
http://conquest.imslp.info/files/imglnks/usimg/e/e0/IMSLP
114152-PMLP232996-Blumenthal-BarberofSeville-sc.pdf
http://imslp.org/wiki/Il_barbiere_di_Siviglia_%28Rossini,_Gioacchino%29#Full_Score
http://www.opera-guide.ch/opera.php?uilang=de&id=318#libretto
http://www.sdopera.com/Operapaedia/TheBarberofSeville
http://www.dlib.indiana.edu/variations/scores/bhr1214/large/index.html
http://www.dlib.indiana.edu/variations/scores/cag4600/large/index.html
http://archive.org/stream/cu31924090833181#page/n0/mode/2up
https://archive.org/details/RossiniBarberOfSeville-Overture
https://archive.org/details/storiesfromopera03daviuoft
http://opera.stanford.edu/iu/libretti/barbiere.html
http://www.emmedici.com/hobbies/musica/rossini/libretti/barbiere1.htm
http://www.emmedici.com/hobbies/musica/rossini/libretti/barbiere2.htm
http://makingmusicfun.net/pdf/sheet_music/barber-of-seville-piano.pdf
http://oll.libertyfund.org/titles/1562
http://www.pocketopera.org/2015/libt/ROSSINI-TheBarberofSeville.pdf
http://www.sydneysymphony.com/media/81889/PROG14_070517_Rossini_SSO.pdf
http://slideplayer.fr/slide/1296660/ |
LINKS
http://www.npr.org/templates/story/story.php?storyId=12451040
http://www.wisegeek.com/what-is-the-barber-of-seville.htm
http://lyricoperamedia.s3.amazonaws.com/_img/Web/
13-14/The-Barber-of-Seville/Rossinis_Biggest_hit.pdf
http://lyricoperamedia.s3.amazonaws.com/_pdf/13-14/BarberPlotSynopsis.pdf
http://www.laopera.org/DocumentsLAO/education/lessons/
The%20Barber%20of%20Seville%20Resource%20Page.pdf
http://www.opera-guide.ch/opera.php?uilang=de&id=318#libretto
http://www.sdopera.com/Operapaedia/TheBarberofSeville
http://sfopera.com/SanFranciscoOpera/media/Education-
Resource-Materials/Barber/The-Barber-of-Seville-Websites.pdf
http://operalively.com/forums/content.php/846-OTF-Il-barbiere-di-Siviglia
http://www.metopera.org/metopera/season/synopsis/barbiere?customid=6
http://www.metopera.org/metopera/history/stories/synopsis.aspx?customid=710
http://www.metopera.org/uploadedFiles/MetOpera/season_
and_tickets/Playbill/Barbiere/Feb%204%20Barbiere.pdf
http://holiday.metoperafamily.org/barber/about.php
http://en.wikipedia.org/wiki/The_Barber_of_Seville
http://www.musicwithease.com/rossini-barber-seville.html
http://www.taormina.it/aug-8-11-14-barber-seville.html
http://www.songfacts.com/detail.php?id=18315
http://froggyeve.tripod.com/WVBO4KTeachersGuidepage3.pdf
http://froggyeve.tripod.com/largo.html
http://michelinewalker.com/tag/la-mere-coupable/
http://classicalmusic.about.com/od/Opera-
Synopses/qt/Barber-Of-Seville-Synopsis.htm
http://www.theatrehistory.com/french/barber_of_seville.html
http://hum.uchicago.edu/orgs/ciao/Rossini%20operas/1Barbiere.html
https://weblearn.ox.ac.uk/access/content/group/df7666de-2
ae5-4cd0-ac9d-b710e3fe9589/ENO%2BEssays%2BPt2.pdf
http://www.wiener-staatsoper.at/Content.Node/mobile
progheftenglish/Programm-Barbiere-en.pdf
https://www.vaopera.org/attachments/article/
39/The%20Barber%20of%20Seville.pdf
http://operaroanoke.org/barber-synopsis/
http://www.krannertcenter.com/images/cm/2011511153
925496128174106178/BarberofSevilleProgram.pdf
http://musicaloreto.wikispaces.com/EL+BARBERO+DE+SEVILLA
BARBER OF SEVILLE
TOLD WITH PICTURES